But Miss Rossetti's poems are so passionately human a document as to set one tracing by a sort of inevitable instinct the secrets of a buoyant and tender soul, sharpened and refined by blow after blow of harsh discipline. The same autobiographical savour haunts all her work as haunted the eager dramas of Charlotte Brontë, the first of women-writers of every age. Step by step it reveals itself, the sad and stately development of this august soul. The first tremulous outlook upon the intolerable loveliness of life, the fantastic melancholy of youth, the deep desire of love, the drawing nearer of the veiled star, disappointment, disillusionment, the over-powering rush of the melancholy, that had waited like a beast in ambush for moments of lassitude and reaction. Then was the crisis: would the wounded life creep on on a broken wing, or would the spiritual vitality suffice to fill the intolerable void? It did suffice; and the strength of the character that thus found repose was attested by the rational and temperate form of faith that ministered to the failing soul. At such a moment the sensuous spirit is apt to slide into the luxurious self-surrender that Roman Catholicism permits. To me, indeed, it is a matter of profound surprise that Miss Rossetti did not fall into this temptation; but just as she had, with instinctive moderation, chosen the cool and temperate landscape of her adopted country, so the National Church of England, with its decorous moderation, its liberal generosity, its refined ardour, was the chosen home of this austere spirit. The other danger to be feared was that of a bitter renunciation of old delights, a sojourn in the wilderness of some arid and fantastic pietism. An elder sister of Miss Rossetti's indeed sought the elaborate seclusion of a religious house; and had D. G. Rossetti--to use the uncouth Puritan phrase--"found religion," there is no doubt that he too would have reverted to the Church of his fathers. But Miss Rossetti became, as Mr. Edmund Gosse has, in a penetrating criticism in the _Century Magazine_ (June 1893) pointed out, the poetess, not of Protestantism, but of Anglicanism. We must retrace our steps for a moment, and touch first on Miss Rossetti's love lyrics. Very occasionally she allowed herself, in the early days, to speak of love with the generous abandon of an ardent spirit, as in the exquisite lyric where she still lingers in the pictorial splendours of the pre-Raphaelite school. A BIRTHDAY. My heart is like a singing bird Whose nest is in a watered shoot; My heart is like an apple-tree Whose boughs are bent with thickset fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these, Because my love is come to me.