At last I was roused from a state of most Persian torpor by a note from
an old lady, whose hall, for so an indifferent country-house was by
courtesy denominated, stood at the distance of a few miles. She was
about to give a ball. Such a thing had not been seen for ten years
within ten miles of us. From the sensation produced by the intimation
you might have deemed the world at an end. Prayers and entreaties were
offered up to all the guardians and all the milliners; and the old
gentlemen rose in a passion, and the old lace rose in price. Everything
was everywhere in a flurry; kitchen, and parlour, and boudoir and
garret--Babel all! _Ackermann’s Fashionable Repository_, the _Ladies’
Magazine_, the _New Pocket-book_--all these, and all other publications
whose frontispieces presented the “fashions for 1817,” personified in a
thin lady with kid gloves and a formidable obliquity of vision, were in
earnest and immediate requisition. Needles and pins were flying right
and left; dinner was ill-dressed that dancers might be well-dressed;
mutton was marred that misses might be married. There was not a
schoolboy who did not cut Homer and capers; nor a boarding-school beauty
who did not try on a score of dancing shoes, and talk for a fortnight
of Angiolini. Every occupation was laid down, every carpet was taken up;
every combination of hands-across and down the middle was committed most
laudably to memory; and nothing was talked, nothing was meditated,
nothing was dreamed, but love and romance, fiddles and flirtation, warm
negus and handsome partners, dyed feathers and chalked floors.
In all the pride and condescension of an inmate of Grosvenor Square, I
looked upon Lady Motley’s “At Home.” “Yes,” I said, flinging away the
card with a tragedy twist of the fingers, “yes: I will be there. For one
evening I will encounter the tedium and the taste of a village ball. For
one evening I will doom myself to figures that are out of date, and
fiddles that are out of tune; dowagers who make embroidery by wholesale,
and demoiselles who make conquests by profession: for one evening I will
endure the inquiries about Almack’s and St. Paul’s, the tales of the
weddings that have been and the weddings that are to be, the round of
courtesies in the ball-room and the round of beef at the supper-table:
for one evening I will not complain of the everlasting hostess and the
everlasting Boulanger, of the double duty and the double bass, of the
great heiress and the great plum-pudding:
Come one, come all,
Come dance in Sir Roger’s great hall.”
And thus, by dint of civility, indolence, quotation, and antithesis, I
bent up each corporal agent to the terrible feat, and “would have the
honour of waiting upon her ladyship,”--in due form.
Public-domain text, read in full here on John Shaqi.
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