I was introduced to Tom Manille at the Opera. He was charmed to make my
acquaintance; he had been told of my good fortune at the Salon, and was
aware what a favourite I had been with the Baronne de Lusignan. Did I
want a servant? A friend of his was going to dismiss one who was worth
all the Indies. Was I looking for a hunter? His cousin had one, which
would suit my weight exactly. He would make my betting-book, he would
superintend my cellar, he would take me to a _soirée chez Mademoiselle_,
he would give me a special recommendation to his tailor. He must make me
known to the Somerses--their cook was Ude’s first pupil. Of course I
should belong to the Club--his influence was omnipotent there. A few
weeks elapsed; and Tom Manille was riding my brother’s horses, and
drinking my brother’s chambertin. He always calls me “My dear fellow!”
and never passes me without a most encouraging nod. But I have never
dined with the Somerses, and last week I was blackballed at the Club.
I wrote a treatise on the state of the nation, and submitted it to an
eminent publisher. He was wonderfully delighted with the work. The views
were so sound, the arguments so convincing, the style so pure, the
illustration so apposite. I began to look forward to an infinity of
popularity and an eternity of fame; I dreamed of laurel wreaths; I
calculated the profits of tenth editions. In imagination I was already
the pilot of popular opinion, the setter-up and the putter-down of
Cabinets. But when I struck out the magical M.P. from the proof-sheet of
my title-page, my fall was immediate and disastrous. My language lost
its elegance, and my subject its importance; and my pamphlet lies
forgotten in the limbo of unpublished embryos, wanting only life, and
willing to win immortality. I should have been the most influential
writer of the day if I had not had an elder brother.
Public-domain text, read in full here on John Shaqi.
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