Dialogues; Essays; Italian literature -- Translations into English
Beading the following from Cicero's "Paradoxes"--"Do pleasures make
a person better or more estimable? Is there any one who boasts of the
pleasures he enjoys?" he said: "Beloved Cicero, I cannot say that
pleasures make men in the present day either more estimable or better;
but undoubtedly they cause them to be more esteemed. For in the present
day most young men seek esteem by no other way than pleasure. And not
only do they boast of these pleasures when they obtain them, but they
din the intelligence of their enjoyment into the ears of friends and
strangers, willing or unwilling. There are also many pleasures which
are eagerly desired and sought after, not as pleasures, but for the
sake of the renown, reputation, and self-satisfaction that they bring;
and very often these latter things are appropriated when the pleasures
have neither been obtained, nor sought, or else have been entirely
imaginary."
He noted from Arrian's History of the Wars of Alexander the Great, that
at the battle of Issus, Darius placed his Greek mercenaries in the van
of his army, and Alexander his Greeks at the wings. He thought that
this fact alone was sufficient to determine the result of the battle.
He never blamed authors for writing much about themselves. On the
contrary, he applauded them for so doing, and said that on such
occasions they are nearly always eloquent, and their style, though
perhaps unusual and even singular, is ordinarily good and fluent.
And this is not surprising; for writers treating of themselves have
their heart and soul in the work. They are at no loss what to say;
their subject and the interest they take in it are jointly productive
of original thought. They confine themselves to themselves, and do
not drink at strange fountains; nor need they be commonplace and
trite. There is nothing to induce them to garnish their writing with
artificial ornamentation, or to affect an unnatural style. And it
is an egregious error to suppose that readers are ordinarily little
interested in a writer's confessions. For in the first place, whenever
a man relates his own experiences and thoughts simply and pleasingly,
he succeeds in commanding attention. Secondly, because in no way
can we discuss and represent the affairs of others more truthfully
and effectively than by treating of our own affairs; seeing that
all men have something in common, either naturally or by force of
circumstances, and that we are better able to illustrate human nature
in ourselves than in others. In confirmation of these opinions, he
instanced Demosthenes' Oration for the Crown, in which the speaker,
continually referring to himself, is surpassingly eloquent. And Cicero,
when he touches on his own affairs, is equally successful; peculiarly
so in his Oration for Milo, admirable throughout, but above all praise
towards the end, where he himself is introduced. Bossuet also is
supremely excellent in his panegyric of the Prince de CondÈ, where he
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