Dialogues; Essays; Italian literature -- Translations into English
"You must regard it as an undoubted fact that, in order to distinctly
recognise the value of a perfect or nearly perfect work, deserving of
immortality, it is not enough merely to be accustomed to write. You
yourself must be able to accomplish the work in question almost as
perfectly as the writer himself. And as experience gradually teaches
you what qualities constitute a perfect writer, and what an infinity of
difficulties must be surmounted before these can be obtained, you will
learn how to overcome the latter, and acquire the former; so that in
time knowledge and power will prove to be one and the same thing. Hence
a man cannot discern nor fully appreciate the excellence of perfect
writers until he is able to give expression to it in his own writings;
because such perfection can only be appreciated by what may be termed
a transference of it into oneself. Until this be done, a man cannot
really understand what constitutes perfection in writing, and will
therefore be unable to duly admire the best writers.
"Now most literary men, because they write easily, think they write
well; they therefore regard good writing as a facile accomplishment,
even though they assert the contrary. Think, then, how the number will
be reduced of those who might appreciate and laud you when, after
inconceivable exertions and care, you succeed in producing a noble and
perfect work. In the present day there are scarcely two or three men in
Italy who have acquired the art of perfect writing; and although this
number may appear to you excessively small, at no time nor place has it
ever been much greater.
"I often wonder to myself how Virgil, as a supreme example of literary
perfection, ever acquired the high reputation in which he is now
held. For I am certain that most of his readers and eulogisers do not
discover in his poems more than one beauty for every ten or twenty
revealed to me by continuous study and meditation. Not that I imagine I
have succeeded in estimating him at his proper value, nor have derived
every possible enjoyment from his writings. In truth, the esteem and
admiration professed for the greatest writers is ordinarily the result
of a blind predisposition in their favour, rather than the outcome of
an impartial judgment, or the consequence of a due appreciation of
their merits.
Public-domain text, read in full here on John Shaqi.
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