And this tower and other towers fill our soul with the tormenting
longing to say the unsayable, to leave in words that are borne on wings
of sound and pass away and are lost, something that does not pass away
and is never lost. To say what one sees and to say it so that it is
seen in being heard; to see what is heard: that is the whole secret of
Art. Art makes the blind to see--and many are blind whose eyes reflect
the images of what they see upon the mind--and it makes them see with
the word; Art makes the deaf to hear--and many are deaf whose ears
vibrate with the sounds they hear round about them--and it makes them
hear with the vision. A poem gives sight to the blind; a picture gives
hearing to the deaf. Art fuses the senses, descending to that which
unites them in a common root and ascending to that which also unites
them in a common crown.
Tower of Monterrey, not the tower which I see with my eyes when I go
forth from my house on these benumbing mornings of clarified light
to read the divine Plato with my pupils--O noble word degraded to so
ignoble use!--my tower of Monterrey, the tower that I carry in the
crystal of my mind, as if it were a vision which by some enchantment
had remained frozen for ever upon the frozen surface of a lake, this
tower of mine tells me that he who says himself remains for ever too.
It matters not, my soul, what you say if you say yourself. For what art
thou but a phrase in the thought of God?
The thought of God is History: human history, civil history, the
history of this civil humanity in which God became man and dwelt among
men, and proclaimed that His kingdom, the kingdom of God, that is, the
kingdom of Man, the kingdom of God-Man, is not of this world of sorrows
and joys, of hates and loves, of memories and hopes. For the kingdom
of God, the kingdom of Man, is of thought, which is above sorrow and
joy, above hate and love, above memory and hope, although it is made
of these, as the towers that abide in History are made of stones. The
thought of God is History; History is what God thinks, what He goes
on thinking. And he who lives in History, more or less audible and
visible, whatever the fashion of his life, however far beneath the
surface, lives in the thought of God, and, abiding in God’s thought, he
abides in God. And everyone who, willingly or unwillingly, knowingly or
unknowingly, helps to make History, lives in History; everyone, however
obscurely and hesitatingly he lives, who has civil consciousness.
Absolute death is unconsciousness.
Public-domain text, read in full here on John Shaqi.
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