the instinctive and particular, and sees its partiality, he shuts his
mouth in disgust. For, no man can write anything, who does not think
that what he writes is for the time the history of the world; or do
anything well, who does not esteem his work to be of importance. My work
may be of none, but I must not think it is of none, or I shall not do it
with impunity.
13. In like manner, there is throughout nature something mocking,
something that leads us on and on, but arrives nowhere, keeps no faith
with us. All promise outruns the performance. We live in a system of
approximations. Every end is prospective of some other end, which is
also temporary; a round and final success nowhere. We are encamped in
nature, not domesticated. Hunger and thirst lead us on to eat and to
drink; but bread and wine, mix and cook them how you will, leave us
hungry and thirsty, after the stomach is full. It is the same with all
our arts and performances. Our music, our poetry, our language itself
are not satisfactions, but suggestions. The hunger for wealth, which
reduces the planet to a garden, fools the eager pursuer. What is the
end sought? Plainly to secure the ends of good sense and beauty, from
the intrusion of deformity or vulgarity of any kind. But what an
operose[521] method! What a train of means to secure a little
conversation! This palace of brick and stone, these servants, this
kitchen, these stables, horses and equipage, this bank-stock, and file
of mortgages; trade to all the world, country-house and cottage by the
water-side, all for a little conversation, high, clear, and spiritual!
Could it not be had as well by beggars on the highway? No, all these
things came from successive efforts of these beggars to remove
friction from the wheels of life, and give opportunity. Conversation,
character, were the avowed ends; wealth was good as it appeased the
animal cravings, cured the smoky chimney, silenced the creaking door,
brought friends together in a warm and quiet room, and kept the
children and the dinner-table in a different apartment. Thought,
virtue, beauty, were the ends; but it was known that men of thought
and virtue sometimes had the headache, or wet feet, or could lose good
time, whilst the room was getting warm in winter days. Unluckily, in
the exertions necessary to remove these inconveniences, the main
attention has been diverted to this object; the old aims have been
lost sight of, and to remove friction has come to be the end. That is
the ridicule of rich men, and Boston, London, Vienna, and now the
governments generally of the world, are cities and governments of the
rich, and the masses are not men, but _poor men_, that is, men who
would be rich; this is the ridicule of the class, that they arrive
with pains and sweat and fury nowhere; when all is done, it is for
nothing. They are like one who has interrupted the conversation of a
company to make his speech, and now has forgotten what he went to say.
Public-domain text, read in full here on John Shaqi.
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