6. In point of fact, it appears that Shakspeare did owe debts in all
directions, and was able to use whatever he found; and the amount of
indebtedness may be inferred from Malone's[543] laborious computations
in regard to the First, Second, and Third parts of Henry VI., in
which, "out of 6043 lines, 1771 were written by some author preceding
Shakspeare; 2373 by him, on the foundation laid by his predecessors;
and 1899 were entirely his own." And the proceeding investigation
hardly leaves a single drama of his absolute invention. Malone's
sentence is an important piece of external history. In Henry VIII, I
think I see plainly the cropping out of the original rock on which his
own finer stratum was laid. The first play was written by a superior,
thoughtful man, with a vicious ear. I can mark his lines, and know
well their cadence. See Wolsey's soliloquy,[544] and the following
scene from Cromwell,[545] where,--instead of the meter of Shakspeare,
whose secret is, that the thought constructs the tune, so that reading
for the sense will best bring out the rhythm,--here the lines are
constructed on a given tune, and the verse has even a trace of pulpit
eloquence. But the play contains, through all its length, unmistakable
traits of Shakspeare's hand, and some passages, as the account of the
coronation,[546] are like autographs. What is odd, the compliment to
Queen Elizabeth[547] is in bad rhythm.[548]
7. Shakspeare knew that tradition supplies a better fable than any
invention can. If he lost any credit of design, he augmented his
resources; and, at that day, our petulant demand for originality was
not so much pressed. There was no literature for the million. The
universal reading, the cheap press, were unknown. A great poet, who
appears in illiterate times, absorbs into his sphere all the light
which is anywhere radiating. Every intellectual jewel, every flower of
sentiment, it is his fine office to bring to his people; and he comes
to value his memory[549] equally with his invention. He is therefore
little solicitous whence his thoughts have been derived; whether
through translation, whether through tradition, whether by travel in
distant countries, whether by inspiration; from whatever source, they
are equally welcome to his uncritical audience. Nay, he borrows very
near home. Other men say wise things as well as he; only they say a
good many foolish things, and do not know when they have spoken
wisely. He knows the sparkle of the true stone, and puts it in high
place, wherever he finds it. Such is the happy position of Homer,[550]
perhaps; of Chaucer,[551] of Saadi.[552] They felt that all wit was
their wit. And they are librarians and historiographers, as well as
poets. Each romancer was heir and dispenser of all the hundred tales
of the world,--
"Presenting Thebes'[553] and Pelops' line
And the tale of Troy divine."
Public-domain text, read in full here on John Shaqi.
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