We have found out[675] fine names to cover our sensuality withal, but no gifts can raise intemperance. The man of talent affects to call his transgressions of the laws of the senses trivial and to count them nothing considered with his devotion to his art. His art rebukes him. That never taught him lewdness, nor the love of wine, nor the wish to reap where he had not sowed. His art is less for every deduction from his holiness, and less for every defect of common sense. On him who scorned the world, as he said, the scorned world wreaks its revenge. He that despiseth small things will perish by little and little. Goethe's Tasso[676] is very likely to be a pretty fair historical portrait, and that is true tragedy. It does not seem to me so genuine grief when some tyrannous Richard III.[677] oppresses and slays a score of innocent persons, as when Antonio and Tasso, both apparently right, wrong each other. One living after the maxims of this world and consistent and true to them, the other fired with all divine sentiments, yet grasping also at the pleasures of sense, without submitting to their law. That is a grief we all feel, a knot we cannot untie. Tasso's is no infrequent case in modern biography. A man of genius, of an ardent temperament, reckless of physical laws, self-indulgent, becomes presently unfortunate, querulous, a "discomfortable cousin," a thorn to himself and to others. The scholar shames us by his bifold[678] life. Whilst something higher than prudence is active, he is admirable; when common sense is wanted, he is an encumbrance. Yesterday, Cæsar[679] was not so great; to-day, Job[680] not so miserable. Yesterday, radiant with the light of an ideal world in which he lives, the first of men, and now oppressed by wants and by sickness, for which he must thank himself, none is so poor to do him reverence. He resembles the opium eaters whom travellers describe as frequenting the bazaars of Constantinople, who skulk about all day, the most pitiful drivellers, yellow, emaciated, ragged, sneaking; then at evening, when the bazaars are open, they slink to the opium-shop, swallow their morsel and become tranquil, glorious and great. And who has not seen the tragedy of imprudent genius struggling for years with paltry pecuniary difficulties, at last sinking, chilled, exhausted and fruitless, like a giant slaughtered by pins?