We have found out fine names to cover our sensuality withal, but no
gifts can raise intemperance. The man of talent affects to call his
transgressions of the laws of the senses trivial and to count them
nothing considered with his devotion to his art. His art never taught
him lewdness, nor the love of wine, nor the wish to reap where he had
not sowed. His art is less for every deduction from his holiness, and
less for every defect of common sense. On him who scorned the world as
he said, the scorned world wreaks its revenge. He that despiseth small
things will perish by little and little. Goethe’s Tasso is very likely
to be a pretty fair historical portrait, and that is true tragedy. It
does not seem to me so genuine grief when some tyrannous Richard the
Third oppresses and slays a score of innocent persons, as when Antonio
and Tasso, both apparently right, wrong each other. One living after
the maxims of this world and consistent and true to them, the other
fired with all divine sentiments, yet grasping also at the pleasures of
sense, without submitting to their law. That is a grief we all feel, a
knot we cannot untie. Tasso’s is no infrequent case in modern
biography. A man of genius, of an ardent temperament, reckless of
physical laws, self-indulgent, becomes presently unfortunate,
querulous, a “discomfortable cousin,” a thorn to himself and to others.
The scholar shames us by his bifold life. Whilst something higher than
prudence is active, he is admirable; when common sense is wanted, he is
an encumbrance. Yesterday, Cæsar was not so great; to-day, the felon at
the gallows’ foot is not more miserable. Yesterday, radiant with the
light of an ideal world in which he lives, the first of men; and now
oppressed by wants and by sickness, for which he must thank himself. He
resembles the pitiful drivellers whom travellers describe as
frequenting the bazaars of Constantinople, who skulk about all day,
yellow, emaciated, ragged, sneaking; and at evening, when the bazaars
are open, slink to the opium-shop, swallow their morsel and become
tranquil and glorified seers. And who has not seen the tragedy of
imprudent genius struggling for years with paltry pecuniary
difficulties, at last sinking, chilled, exhausted and fruitless, like a
giant slaughtered by pins?
Public-domain text, read in full here on John Shaqi.
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