Thus truth, frankness, courage, love, humility and all the virtues range themselves on the side of prudence, or the art of securing a present well-being. I do not know if all matter will be found to be made of one element, as oxygen or hydrogen, at last, but the world of manners and actions is wrought of one stuff, and begin where we will we are pretty sure in a short space to be mumbling our ten commandments. VIII. HEROISM “Paradise is under the shadow of swords.” _Mahomet._ Ruby wine is drunk by knaves, Sugar spends to fatten slaves, Rose and vine-leaf deck buffoons; Thunderclouds are Jove’s festoons, Drooping oft in wreaths of dread Lightning-knotted round his head; The hero is not fed on sweets, Daily his own heart he eats; Chambers of the great are jails, And head-winds right for royal sails. HEROISM In the elder English dramatists, and mainly in the plays Of Beaumont and Fletcher, there is a constant recognition of gentility, as if a noble behavior were as easily marked in the society of their age as color is in our American population. When any Rodrigo, Pedro or Valerio enters, though he be a stranger, the duke or governor exclaims, ‘This is a gentleman,—and proffers civilities without end; but all the rest are slag and refuse. In harmony with this delight in personal advantages there is in their plays a certain heroic cast of character and dialogue,—as in Bonduca, Sophocles, the Mad Lover, the Double Marriage,—wherein the speaker is so earnest and cordial and on such deep grounds of character, that the dialogue, on the slightest additional incident in the plot, rises naturally into poetry. Among many texts take the following. The Roman Martius has conquered Athens,—all but the invincible spirits of Sophocles, the duke of Athens, and Dorigen, his wife. The beauty of the latter inflames Martius, and he seeks to save her husband; but Sophocles will not ask his life, although assured that a word will save him, and the execution of both proceeds:— _Valerius_. Bid thy wife farewell. _Sophocles_. No, I will take no leave. My Dorigen, Yonder, above, ’bout Ariadne’s crown, My spirit shall hover for thee. Prithee, haste. _Dorigen_. Stay, Sophocles,—with this tie up my sight; Let not soft nature so transformed be, And lose her gentler sexed humanity, To make me see my lord bleed. So, ’tis well; Never one object underneath the sun Will I behold before my Sophocles: Farewell; now teach the Romans how to die. _Martius_. Dost know what ’t is to die? _Sophocles_. Thou dost not, Martius, And, therefore, not what ’tis to live; to die Is to begin to live. It is to end An old, stale, weary work, and to commence A newer and a better. ’Tis to leave Deceitful knaves for the society Of gods and goodness. Thou thyself must part At last from all thy garlands, pleasures, triumphs, And prove thy fortitude what then ’t will do. _Valerius_. But art not grieved nor vexed to leave thy life thus?