Essays from the Chap-Book: Being a Miscellany of Curious and interesting Tales, Histories, &c; newly composed by Many Celebrated Writers and very delightful to read.Various
History
Essays from the Chap-Book: Being a Miscellany of Curious and interesting Tales, Histories, &c; newly composed by Many Celebrated Writers and very delightful to read.
Various
American essays; Literature, Modern -- History and criticism
“Where wild weeds half way down the frowning bank
Flutter, like poor apparel stained and sere,
And lamplight flowers, with hearts of gold, their rank
And baleful blossoms rear.”
One closes Mr. Davidson’s book with reluctance, and with a haunting
sense of beauty, and power, and the promise of yet greater things
to come. He is a young man—scarcely past thirty; what laurels are
springing up for him to gather in the future, who shall say? Happily
he is not faultless—since for the faultless there is no perspective of
hope.
R. L. S.—Some Edinburgh Notes
_By_ Eve Blantyre Simpson
R. L. S.—SOME EDINBURGH NOTES
Give me again all that was there,
Give me the sun that shone!
Give me the eyes, give me the soul,
Give me the lad that’s gone!
ROBERT LOUIS STEVENSON.
LOUIS STEVENSON was born in 8 Howard Place, then an outlying
suburban street between Edinburgh and the sea; and the substantial
but unpretending house with its small plot of garden in front will
doubtless be visited with interest in future by those who like to look
on the birthplaces of famous men.
17 Heriot Row, on one of Edinburgh’s level terraces between the steep
hills, “from which you see a perspective of a mile or so of falling
street,” became his home before he was out of velvet tunics and socks,
but as his mother was delicate, they lived when the weather was genial
“in the green lap of the Rutland Hills,” at Swanston, a few miles from
Edinburgh. He, however, spent his winters at Heriot Row, when he
grew into an Academy boy, though not a specially brilliant scholar.
His doubtful health would often stand as an excuse, when the rain
splattered on the panes, or the square gardens opposite were hid in a
scowling “haur,” for the small Louis to remain and “Child Play” beside
his pretty mother. No doubt, too, the truant spirit was strong within
him when he trotted down hill to school, “rasping his clachan[1] on the
area railings” as he made an Edinburgh hero of his do. We first knew
Louis Stevenson when his schooldays and teens were past, and he was
facing what he called “the equinoctial gales of youth,” and beginning
to put his self-taught art of writing into print. He had great railings
against his native town in these days, which were somewhere in the
heart of the seventies. The “meteorological purgatory” of its climate
embittered him, as his frail frame suffered sorely from the bleak
blasts. He vowed his fellow-townsmen had a list to one side by reason
of having to struggle against the East wind. He gave his spleen vent in
“Picturesque Notes of Edinburgh,” yet by way of apology he says, “the
place establishes an interest in people’s hearts; go where they will,
they find no city of the same distinction, go where they will, they
take a pride in their old home.” No one could clothe the historical
tales of Edinburgh in more graphic words than this slim son of hers.
Public-domain text, read in full here on John Shaqi.
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