Essays from the Chap-Book: Being a Miscellany of Curious and interesting Tales, Histories, &c; newly composed by Many Celebrated Writers and very delightful to read.Various
History
Essays from the Chap-Book: Being a Miscellany of Curious and interesting Tales, Histories, &c; newly composed by Many Celebrated Writers and very delightful to read.
Various
American essays; Literature, Modern -- History and criticism
Of all unnatural things none can seem quite so unjust as ill health
falling upon a girl. Balzac, in one of his hideously interesting
romances, pictures to the minutest line a poor child stricken with
disease and robbed of her season of bud and bloom. I have always felt
that the story was an unpardonable piece of writing. We sometimes
see such pitiful and appealing objects in the street, or at some
country place; but why should they be put into books written for our
delectation?
Once upon a time a friend and I, upon archery intent, tramped together
for a fortnight among the hills of North Carolina, in a region given
over to the race of mountaineers. It was saddening to observe the
lean, vacant, bloodless faces of the girls in the cabins. As a rule,
however, activity of body and a certain limberness go with these
desiccated-looking countenances, and now and again you find a flower
of rustic loveliness wasting its sweetness and ignorance on the
mountain air. An instance comes to mind. We were having luncheon at a
spring under the hill, upon which an ancient cabin nestled amid its
peach-trees.
Down a zig-zag path worn into the brick-yellow clay and rotten slate
of the declivity came a maiden bearing on her head a cedar noggin. She
stepped briskly and nimbly, not deigning to touch the noggin with her
hand, but with scarcely perceptible head-movements kept it at perfect
equilibrium on her crown. Barefooted, her coarse blue petticoat very
scant and short, a wonderful brush of pale gold hair crinkling over her
perfect shoulders, her arms half bare, a throat like a bird’s, and a
face-flower full of happy lights, she made just that sudden impression
of æsthetic surprise which comes with the poet’s rarest phrase and most
unexpected rhyme.
It turned out that this strong young thing was as ignorant and empty as
she was beautiful and healthy; but when she spoke to us her voice had
the _timbre_ of a hermit thrush’s and she gave us a glimpse of teeth
incomparably white and even. She was not timid, not bold, but natural.
Took hold of my yew bow, which rested against a tree, and inquired
about it, fingered my arrows and quiver, asked my companion whither we
were going. All this time the cedar noggin on her sunny head wagged
gently, but kept its place, until presently she took it off, and, with
a melodious souse in the spring, filled it, replaced it aloft and
walked back up the hill, hands down and absolutely sure of foot.
“Well,” said my companion, in a breathless tone, “if I didn’t think for
a moment that you meant to shoot her! A regular wood nymph.”
As for myself I did not like the term wood nymph applied to a girl
like that. She was as pretty, as pure, and as ignorant as a wild blue
violet, and evidently as happy as a lark in a meadow. I felt the better
for having seen her, and, as we trudged on, there was a new fragrance
in my imagination.
Public-domain text, read in full here on John Shaqi.
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