English literature -- 19th century -- History and criticism; French literature -- 19th century -- History and criticism
"It was a pity," says her mother a little later "a pity you did not see
the Cordons Bleus. Fancy! You will laugh at me! But in one of the
handsomest of the Chevaliers I felt sure I recognized the stranger who
helped us at the Sainte Chapelle, and was so gallant with you."
Phlipote did not laugh. "You are deceived, mother!" she said in a
faint voice. "Pardi!" cries the father. "'Tis what I always say. Your
stranger was some young fellow from a shop."
Two months later the young people receive [148] the nuptial
benediction, and continue the musical business when the elders retire
to the country. At first a passionate lover, Claude was afterwards a
good and devoted husband. Phlipote never again opened her lips
regarding the vague love which for a moment had flowered in her heart:
only sometimes, a cloud of reverie veiled her eyes, which seemed to
seek sadly, beyond the circle of her slow, calm life, a brilliant but
chimeric image visible for her alone.
And once again she saw him. It was in the terrible year 1794. She
knew the hour at which the tumbril with those condemned to die passed
the windows; and at the first signal would close them and draw the
curtain. But on this day some invincible fascination nailed her to her
place. There were ten faces; but she had eyes for one alone. She had
not forgotten, could not mistake, him--that pale head, so proud and
fine, but now thin with suffering; the beautiful mobile eyes, now
encircled with the signs of sorrow and watching. The convict's shirt,
open in large, broad folds, left bare the neck, delicate as a woman's,
and made for that youthful face an aureole, of innocence, of martyrdom.
His looks [149] met hers. Did he recognize her? She could not have
said. She remained there, paralyzed with emotion, till the moment when
the vision disappeared.
Then she flung herself into her chamber, fell on her knees, lost
herself in prayer. There was a distant roll of drums. The man to whom
she had given her maiden soul was gone.
"Cursed be their anger, for it was cruel!" says the reader. But
Monsieur Filon's stories sometimes end as merrily as they begin; and
always he is all delicacy--a delicacy which keeps his large yet minute
antiquarian knowledge of that vanished time ever in service to a direct
interest in humanity as it is permanently, alike before and after '93.
His book is certainly one well worth possessing.
THE END
16th July 1890
End of Project Gutenberg's Essays from 'The Guardian', by Walter Horatio Pater
Public-domain text, read in full here on John Shaqi.
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