Essays in English Literature, 1780-1860Saintsbury, George
History
Essays in English Literature, 1780-1860
Saintsbury, George
English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
These various drawbacks, however, only set off the merits which almost
every lover of literature must perceive in him. In most writers, in all
save the very greatest, we look for one or two, or for a few special
faculties and capacities, and we know perfectly well that other
(generally many other) capacities and faculties will not be found in
them at all. We do not dream of finding rollicking mirth in Milton, or
gorgeous embroidery of style in Swift, or unadorned simplicity in
Browne. But in Hazlitt you may find something of almost everything,
except the finer kinds of wit and humour; to which last, however, he
makes a certain side-approach by dint of his appreciation of the irony
of Nature and Fate. Almost every other grace of matter and form that can
be found in prose may be found at times in his. He is generally thought
of as, and for the most part is, a rather plain and straightforward
writer, with few tricks and frounces of phrase and style. Yet most of
the fine writing of these latter days is but as crumpled tarlatan to
brocaded satin beside the passage on Coleridge in the _English Poets_,
or the description of Winterslow and its neighbourhood in the "Farewell
to Essay-writing," or "On a Landscape of Nicolas Poussin" in the
_Table-Talk_. Read these pieces and nothing else, and an excusable
impression might be given that the writer was nothing if not florid. But
turn over a dozen pages, and the most admirable examples of the grave
and simple manner occur. He is an inveterate quoter, yet few men are
more original. No man is his superior in lively, gossiping description,
yet he could, within his limits, reason closely and expound admirably.
It is, indeed, almost always necessary, when he condemns anything, to
inquire very carefully as to the reasons of the condemnation. But
nothing that he likes (except Napoleon) is ever bad: everything that he
praises will repay the right man who, at the right time, examines it to
see for what Hazlitt likes it. I have, for my part, no doubt that Miss
Sarah Walker was a very engaging young woman; but (though the witness is
the same) I have the gravest doubts as to Hazlitt's charges against her.
Public-domain text, read in full here on John Shaqi.
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