Essays in English Literature, 1780-1860Saintsbury, George
History
Essays in English Literature, 1780-1860
Saintsbury, George
English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
It would be interesting, though perhaps a little impertinent, to put to
any given number of well-informed persons under the age of forty or
fifty the sudden query, who was Thomas Brown the Younger? And it is very
possible that a majority of them would answer that he had something to
do with Rugby. It is certain that with respect to that part of his work
in which he was pleased so to call himself, Moore is but little known.
The considerable mass of his hack-work has gone whither all hack-work
goes, fortunately enough for those of us who have to do it. The vast
monument erected to him by his pupil, friend, and literary executor,
Lord Russell, or rather Lord John Russell, is a monument of such a
Cyclopean order of architecture, both in respect of bulk and in respect
of style, that most honest biographers and critics acknowledge
themselves to have explored its recesses but cursorily. Less of him,
even as a poet proper, is now read than of any of the brilliant group
of poets of which he was one, with the possible exceptions of Crabbe and
Rogers; while, more unfortunate than Crabbe, he has had no Mr. Courthope
to come to his rescue. But he has recently had what is an unusual thing
for an English poet, a French biographer.[14] I shall not have very much
to say of the details of M. Vallat's very creditable and useful
monograph. It would be possible, if I were merely reviewing it, to pick
out some of the curious errors of hasty deduction which are rarely
wanting in a book of its nationality. If (and no shame to him) Moore's
father sold cheese and whisky, _le whisky d'Irlande_ was no doubt his
staple commodity in the one branch, but scarcely _le fromage de Stilton_
in the other. An English lawyer's studies are not even now, except at
the universities and for purposes of perfunctory examination, very much
in "Justinian," and in Moore's time they were still less so. And if
Bromham Church is near Sloperton, then it will follow as the night the
day that it is not _dans le Bedfordshire_. But these things matter very
little. They are found, in their different kinds, in all books; and if
we English bookmakers (at least some of us) are not likely to make a
Bordeaux wine merchant sell Burgundy as his chief commodity, or say that
a village near Amiens is _dans le Béarn_, we no doubt do other things
quite as bad. On the whole, M. Vallat's sketch, though of moderate
length, is quite the soberest and most trustworthy sketch of Moore's
life and of his books, as books merely, that I know. In matters of pure
criticism M. Vallat is less blameless. He quotes authorities with that
apparent indifference to, or even ignorance of, their relative value
which is so yawning a pit for the feet of the foreigner in all cases;
and perhaps a wider knowledge of English poetry in general would have
been a better preparation for the study of Moore's in particular.
"Never," says M. Renan very wisely, "never does a foreigner satisfy the
Public-domain text, read in full here on John Shaqi.
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