Essays in English Literature, 1780-1860Saintsbury, George
History
Essays in English Literature, 1780-1860
Saintsbury, George
English literature -- 18th century -- History and criticism; English literature -- 19th century -- History and criticism
There are, metrically speaking, few finer couplets in English than the
first of that second stanza. Looked at from another point of view, the
mixture of the comic and the serious in the piece is remarkable enough;
but not so remarkable, I think, as its extraordinary metrical
accomplishment. There is not a note or a syllable wrong in the whole
thing, but every sound and every cadence comes exactly where it ought to
come, so as to be, in a delightful phrase of Southey's, "necessary and
voluptuous and right."
It is no wonder that when Praed had discovered such a medium he should
have worked it freely. But he never impressed on it such a combination
of majesty and grace as in this letter of Medora Trevilian. As far as
the metre goes I think the eight-lined stanzas of this piece better
suited to it than the twelve-lined ones of "Good Night to the Season"
and the first "Letter from Teignmouth," but both are very delightful.
Perhaps the first is the best known of all Praed's poems, and certainly
some things in it, such as
The ice of her ladyship's manners,
The ice of his lordship's champagne,
are among the most quoted. But this antithetical trick, of which Praed
was so fond, is repeated a little often in it; and it seems to me to
lack the freshness as well as the fire of the "Advice." On the other
hand, the "Letter from Teignmouth" is the best thing that even Praed has
ever done for combined grace and tenderness.
You once could be pleased with our ballads--
To-day you have critical ears;
You once could be charmed with our salads--
Alas! you've been dining with Peers;
You trifled and flirted with many--
You've forgotten the when and the how;
There was one you liked better than any--
Perhaps you've forgotten her now.
But of those you remember most newly,
Of those who delight or enthral,
None love you a quarter so truly
As some you will find at our Ball.
They tell me you've many who flatter,
Because of your wit and your song:
They tell me--and what does it matter?--
You like to be praised by the throng:
They tell me you're shadowed with laurel:
They tell me you're loved by a Blue:
They tell me you're sadly immoral--
Dear Clarence, that cannot be true!
But to me, you are still what I found you,
Before you grew clever and tall;
And you'll think of the spell that once bound you;
And you'll come--won't you come?--to our Ball!
Is not that perfectly charming?
Public-domain text, read in full here on John Shaqi.
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