English literature -- 19th century -- History and criticism; Literature -- History and criticism
Homer encourages them by all the maxims of chivalry and honour. His
heart is with the brave of either side--with Glaucus and Sarpedon of
Lycia no less than with Achilles and Patroclus. "Ah, friend," cries
Sarpedon, "if once escaped from this battle we were for ever to be
ageless and immortal, neither would I myself fight now in the foremost
ranks, nor would I urge thee into the wars that give renown; but now--for
assuredly ten thousand fates of death on every side beset us, and these
may no man shun, nor none avoid--forward now let us go, whether we are to
give glory or to win it!" And forth they go, to give and take renown and
death, all the shields and helms of Lycia shining behind them, through
the dust of battle, the singing of the arrows, the hurtling of spears,
the rain of stones from the Locrian slings. And shields are smitten, and
chariot-horses run wild with no man to drive them, and Sarpedon drags
down a portion of the Achaean battlement, and Aias leaps into the trench
with his deadly spear, and the whole battle shifts and shines beneath the
sun. Yet he who sings of the war, and sees it with his sightless eyes,
sees also the Trojan women working at the loom, cheating their anxious
hearts with broidery work of gold and scarlet, or raising the song to
Athene, or heating the bath for Hector, who never again may pass within
the gates of Troy. He sees the poor weaving woman, weighing the wool,
that she may not defraud her employers, and yet may win bread for her
children. He sees the children, the golden head of Astyanax, his
shrinking from the splendour of the hero's helm. He sees the child
Odysseus, going with his father through the orchard, and choosing out
some apple trees "for his very own." It is in the mouth of the ruthless
Achilles, the fatal, the fated, the swift-footed hero with the hands of
death, that Homer places the tenderest of his similes. "Wherefore
weepest thou, Patroclus, like a fond little maid, that runs by her
mother's side, praying her mother to take her up, snatching at her gown,
and hindering her as she walks, and tearfully looking at her till her
mother takes her up?--like her, Patroclus, dost thou softly weep."
Public-domain text, read in full here on John Shaqi.
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