English literature -- 19th century -- History and criticism; Literature -- History and criticism
It is clear enough that Homer is the best guide. His is the oldest
extant Greek, his matter is the most various and delightful, and most
appeals to the young, who are wearied by scraps of Xenophon, and who
cannot be expected to understand the Tragedians. But Homer is a poet for
all ages, all races, and all moods. To the Greeks the epics were not
only the best of romances, the richest of poetry; not only their oldest
documents about their own history,--they were also their Bible, their
treasury of religious traditions and moral teaching. With the Bible and
Shakespeare, the Homeric poems are the best training for life. There is
no good quality that they lack: manliness, courage, reverence for old age
and for the hospitable hearth; justice, piety, pity, a brave attitude
towards life and death, are all conspicuous in Homer. He has to write of
battles; and he delights in the joy of battle, and in all the movement of
war. Yet he delights not less, but more, in peace: in prosperous cities,
hearths secure, in the tender beauty of children, in the love of wedded
wives, in the frank nobility of maidens, in the beauty of earth and sky
and sea, and seaward murmuring river, in sun and snow, frost and mist and
rain, in the whispered talk of boy and girl beneath oak and pine tree.
Living in an age where every man was a warrior, where every city might
know the worst of sack and fire, where the noblest ladies might be led
away for slaves, to light the fire and make the bed of a foreign master,
Homer inevitably regards life as a battle. To each man on earth comes
"the wicked day of destiny," as Malory unconsciously translates it, and
each man must face it as hardily as he may.
Public-domain text, read in full here on John Shaqi.
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