English literature -- 19th century -- History and criticism; Literature -- History and criticism
The Letters contain a few notes of this kind, a few literary confessions.
We hear that Emmy Sedley was partly suggested by Mrs. Brookfield, partly
by Thackeray's mother, much by his own wife. There scarce seems room for
so many elements in Emmy's personality. For some reason ladies love her
not, nor do men adore her. I have been her faithful knight ever since I
was ten years old and read "Vanity Fair" somewhat stealthily. Why does
one like her except because she is such a thorough woman? She is not
clever, she is not very beautiful, she is unhappy, and she can be
jealous. One pities her, and that is akin to a more tender sentiment;
one pities her while she sits in the corner, and Becky's green eyes
flatter her oaf of a husband; one pities her in the poverty of her
father's house, in the famous battle over Daffy's Elixir, in the
separation from the younger George. You begin to wish some great joy to
come to her: it does not come unalloyed; you know that Dobbin had bad
quarters of an hour with this lady, and had to disguise a little of his
tenderness for his own daughter. Yes, Emmy is more complex than she
seems, and perhaps it needed three ladies to contribute the various
elements of her person and her character. One of them, the jealous one,
lent a touch to Helen Pendennis, to Laura, to Lady Castlewood. Probably
this may be the reason why some persons dislike Thackeray so. His very
best women are not angels. {109} Are the very best women angels? It is
a pious opinion--that borders on heresy.
Public-domain text, read in full here on John Shaqi.
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