"The other day I beheld at our threshold a youth of lofty stature and
threatening mien; he had out-stretched wings of gleaming white, and in
his hand was a sword. 'Woman, is thy husband in the house?' 'Yes; he
combs our Nicos' hair, and caresses him so he may not cry. Go not in,
terrible youth; do not frighten our babe.' The white-winged would not
listen; I tried to drive him back, but I could not; he darted past
me, and ran to thy side, O my beloved. Hapless one, he smote thee; and
here is thy little son, thy tiny Nicos, whom likewise he was fain to
strike." ...
So vivid was the impression created by the woman's fantasy that
some of the spectators looked towards the door, half expecting the
white-winged visitant to advance in their midst; others turned to the
child, huddled by his mother's knees. She, coming down from flights
of imagination to the bitter realities of her condition, exclaimed,
as she flung herself sobbing upon the bier: "How can I maintain the
children? How will they be able to live? What will they not suffer in
the contrast between the rough lot in store for them and the tender
care which guarded them in the happy days when their father lived?" At
last, worn out by the force of her emotions, she sank senseless to the
floor. The laments of widows, which are very rare in some localities,
are often to be met with in Greece. In one of them we come upon an
original idea respecting the requirements of spirits: the singer prays
that her tears may swell into a lake or a sea, so they may trickle
through the earth to the nether regions, to moisten those who get
no rain, to be drink to those who thirst, and--to fill up the dry
inkstands of the writers! "Then will they be able to chronicle the
chagrins of the loved ones who cross the river, taste its wave, and
forget their homes and their poor orphans." Every species of Grecian
peasant-song abounds in classical reminiscences, which are easy to
identify, although they betray some mental confusion of the attributes
and functions belonging to the personages of antiquity. Of all the
early myths, that of the Stygian ferryman is the one which has shown
greatest longevity. Far from falling into oblivion, the son of Erebus
has gone on diligently accumulating honours till he has managed to get
the arbitrament of life and death into his power, and to enlist the
birds of the air as a staff of spies, to give him prompt information
should any unlucky individual refer to him in a tone of mockery or
defiance. Perhaps this is not development but reversion. Charon may
have been a great Infernal deity before he was a boatman. The Charun
of the Etruscans could destroy life and torment the guilty--the office
of conducting shades to the other world forming only one part of his
duties.
Public-domain text, read in full here on John Shaqi.
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