Marriage is called in Armenian, "The Imposition of the Crown," from
the practice of crowning bride and bridegroom with fresh, white
flowers. I remember how, in one of the last marriages celebrated in
the little Armenian church in the Rue Monsieur (which was closed a
few years ago, when the Mekhitarist property in Paris was sold), this
ceremony was omitted by particular request of the bridegroom, a rising
French Diplomatist, who did not wish to wear a wreath of roses. The
Armenian marriage formulae are extremely explicit. The priest, taking
the right hand of the bride, and placing it in that of the bridegroom,
says: "According to the Divine order God gave to our ancestors, I give
thee now this wife in subjection. Wilt thou be her master?" To which
the answer is, "Through the help of God, I will." The priest then asks
the woman: "Wilt thou be obedient to him?" She answers: "I am obedient
according to the order of God." The interrogations are repeated three
times, and three times responded to.
An Armenian author, M. Ermine, published at Moscow in 1850 a treatise
on the historical and popular songs of ancient Armenia.
Of popular songs current in more recent times there was not, till
lately, a single specimen within reach of the public, though it was
confidently surmised that such must exist. The Mekhitarist monks have
taken the lead in this as in every other branch of Armenian research,
and my examples are quoted from a small collection issued by their
press at Venice. I am not sure that I have chosen those that are
intrinsically the best, but think that those which figure in these
pages are amongst the most characteristic of their authors and origin.
The larger portion of these songs are printed from manuscripts in the
library of San Lazzaro; the date of their composition is thought
to vary from the end of the thirteenth to the end of the eighteenth
century. The language in which they are written is the vulgar
tongue of Armenia, but in several instances it attains a very close
approximation to the classical Armenian.
Public-domain text, read in full here on John Shaqi.
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