whilst I live," Dr Issaverdenz said, "and I am happy--quite happy!"
VENETIAN FOLK-SONGS.
To the idealised vision that goes along with hereditary culture
a large town may seem an impressive spectacle. For Wordsworth,
worshipper of nature though he was, earth had not anything to show
more fair than London from Westminster Bridge, and Victor Hugo found
endless inspiration on the top of a Parisian omnibus. As shrines of
art, as foci of historic memories, even simply as vast aggregates of
human beings working out the tragi-comedy of life, great cities have
furnished the key-note to much fine poetry. But it is different
with the letterless masses. The student of literature, who turns to
folk-songs in search of a new enjoyment, will meet with little to
attract him in urban rhymes; if there are many that present points
of antiquarian interest, there are few that have any kind of poetic
worth. The people's poetry grows not out of an ideal world of
association and aspiration, but from the springs of their life. They
cannot see with their minds as well as with their eyes. What they do
see in most great towns is the monotonous ugliness which surrounds
their homes and their labour. Then again, it is a well-known fact that
with the people loss of individuality means loss of the power of
song; and where there is density of population there is generally a
uniformity as featureless as that of pebbles on the sea beach.
Still to the rule that folk-poesy is not a thing of town growth one
exception has to be made. Venice, unique under every aspect, has songs
which, if not of the highest, are unquestionably of a high order. The
generalising influences at play in great political centres have hardly
affected the inhabitants of the city which for a thousand years of
independence was a body politic complete in itself. Nor has Venetian
common life lacked those elements of beauty without whose presence the
popular muse is dumb. The very industries of the Venetians were
arts, and when they were young and spiritually teachable, their chief
bread-winning work of every day was Venice--her ducal chapel, her
campanile, her palaces of marble and porphyry. In the process of
making her the delight of after ages, they attended an excellent
school of poetry.
Public-domain text, read in full here on John Shaqi.
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