and songs," thinking all the more of it in consequence of the profound
secrecy with which it has been preserved out of fear of provoking
the wrath of a powerful Sicilian family, very roughly handled by its
author.
Of religious songs there are a vast number in Sicily, and the stock is
perpetually fed by the pious rhyme tournaments held in celebration of
notable saints' days at the village fairs. On such occasions the image
or relics of the saints are exhibited in the public square, and
the competitors, the assembled poetic talent of the neighbourhood,
proceed, one after the other, to improvise verses in his honour. If
they succeed in gaining the suffrage of their audience, which may
amount to five or six thousand persons, they go home liberally
rewarded. Along with these saintly eulogiums may be mentioned a style
of composition more ancient than edifying--the Sicilian parodies.
A pious or complimentary song is travestied into a piece of coarse
abuse, or a sample of that unblushing, astounding irreverence which
sometimes startles the most hardened sceptic, travelling in countries
where the empire of Catholicism has been least shaken--in Tyrol,
for instance, and in Spain. We cannot be sure whether the Sicilian
parodist deliberately intends to be profane, or is only indifferent as
to what weapons he uses in his eagerness to cast ridicule upon a rival
versifier--the last hypothesis seems to me to be the most plausible;
but it takes nothing from the significance of his profanity as it
stands. It is pleasant to turn from these several sections of Sicilian
verse, which, though valuable in helping us to know the people from
whom they spring, for the most part have but small merits when judged
as poetry, to the stream of genuine song which flows side by side with
them: a stream, fresh, clear, pure: a poesy always true in its artless
art, generally bright and ingenious in its imagery, sometimes tersely
felicitous in its expression. In his love lyrics, and but rarely save
in them, the Sicilian _popolano_ rises from the rhymester to the poet.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account