itself with the subjective attitude of mind which goes beyond the limitations of thought. It does not deny ethical ideals, nor does it transcend them; it is simply an inner state of consciousness without reference to its objective consequences. II The coming of Bodhi-Dharma (Bodai-daruma in Japanese, P‘u-ti Ta-mo in Chinese) to China early in the sixth century was simply to introduce this satori element into the body of Buddhism whose advocates were then so engrossed in subtleties of philosophical discussion or in the mere literary observance of rituals and disciplinary rules. By the “absolute transmission of the spiritual seal”[5.6] which was claimed by the first patriarch, is meant the opening of satori, obtaining an eye to see into the spirit of the Buddhist teaching. The sixth patriarch, Yeno (Hui-nêng), was distinguished because of his upholding the satori aspect of dhyana against the mere mental tranquillisation of the Northern School of Zen under the leadership of Jinshu (Shên-hsiu). Baso (Ma-tsu), Obaku (Huan-po), Rinzai (Lin-chi), and all the other stars illuminating the early days of Zen in the T‘ang dynasty were advocates of satori. Their life-activities were unceasingly directed towards the advancement of this; and as one can readily recognise, they so differed from those merely absorbed in contemplation or the practising of dhyana so called. They were strongly against quietism, declaring its adherents to be purblind and living in the cave of darkness. Before we go on, it is advisable, therefore, to have this point clearly understood so that we leave no doubt as to the ultimate purport of Zen, which is by no means wasting one’s life away in a trance-inducing practise, but consists in seeing into the life of one’s being or opening an eye of satori. There is in Japan a book going under the title of _Six Essays by Shoshitsu_ (that is, by Bodhi-Dharma, the first patriarch of Zen); the book contains no doubt some of the sayings of Dharma, but most of the essays are not his; they were probably composed during the T‘ang dynasty when Zen Buddhism began to make its influence more generally felt among the Chinese Buddhists. The spirit however pervading the book is in perfect accord with the principle of Zen. One of the essays entitled “Kechimyakuron,” or “Treatise on the Lineage of Faith,”[5.7] discusses the question of _Chien-hsing_[f104] 見性 or satori, which, according to the author constitutes the essence of Zen Buddhism. The following passages are extracts.