Essays in Zen Buddhism : $b First seriesSuzuki, Daisetz Teitaro
Religion
Essays in Zen Buddhism : $b First series
Suzuki, Daisetz Teitaro
Zen Buddhism
Therefore, when Rinzai was meekly submitting to the “thirty blows” of
Obaku, he was a pitiable sight; as soon as he attained satori, he was
quite a different personage and his first exclamation was, “There is
not much after all in the Buddhism of Obaku.”[5.19] And when he saw the
reproachful Obaku again, he returned his favour by giving him a slap on
the face. “What an arrogance, what an impudence!” Obaku exclaimed; but
there was reason in Rinzai’s rudeness, and the old master could not but
be pleased with this treatment from his former tearful Rinzai.
When Tokusan gained an insight into the truth of Zen, he immediately
took up all his commentaries on the _Diamond Sutra_, once so valued and
considered indispensable that he had to carry them wherever he went; he
now set fire to them, reducing all the manuscripts into nothingness.
He exclaimed: “However deep your knowledge of abstruse philosophy, it
is like a piece of hair placed in the vastness of space; and however
important your experience in things worldly, it is like a drop of water
thrown into an unfathomable abyss.”[5.20]
On the day following the incident of the flying geese,[5.21] to which
reference was made elsewhere, Baso appeared in the preaching hall and
was about to speak before a congregation, when Hyakujo came forward
and began to roll up the matting.[f111] Baso without protesting came
down from his seat and returned to his own room. He then called Hyakujo
and asked him why he rolled up the matting before he uttered a
word.
“Yesterday you twisted my nose,” replied Hyakujo, “and it was quite
painful.”
“Where,” said Baso, “was your thought wandering then?”
“It is not painful any more to-day, master.” How differently he
behaves now! When his nose was pinched, he was quite an ignoramus in
the secrets of Zen. He is now a golden-haired lion, he is master of
himself, and acts so freely as if he owned the world, pushing away even
his own master far into the background.
There is no doubt that satori goes deep into the very root of
individuality. The change achieved thereby is quite remarkable, as we
see in the examples above cited.
VI
Public-domain text, read in full here on John Shaqi.
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