Essays in Zen Buddhism : $b First seriesSuzuki, Daisetz Teitaro
Religion
Essays in Zen Buddhism : $b First series
Suzuki, Daisetz Teitaro
Zen Buddhism
The masters generally go about with a kind of short stick known as
shippé (_chu-pi_), or at least they did so in old China. It does not
matter whether it is a shippé or not, anything in fact will answer our
purpose. Shuzan, a noted Zen master of the tenth century, held out
his stick and said to a group of his disciples:[6.13] “Call it not a
shippé; if you do, you assert. Nor do you deny its being a shippé;
if you do, you negate. Apart from affirmation and negation, speak,
speak!” The idea is to get our heads free from dualistic tangles and
philosophic subtleties. A monk came out of the rank, took the shippé
away from the master’s hand, and threw it down on the floor. Is this
the answer? Is this the way to respond to the master’s request “to
speak”? Is this the way to transcend the four propositions—the logical
conditions of thinking? In short, is this the way to be free? Nothing
is stereotyped in Zen, and somebody else may solve the difficulty in
quite a different manner. This is where Zen is original and creative.
Ummon expressed the same idea with his staff, which he held up,
saying,[6.14] “What is this? If you say it is a staff, you go right
to hell; but if it is not a staff, what is it?” Hima’s (Pi-mo) way
somewhat deviated from this. He used to carry a forked stick and
whenever a monk came up to him and made a bow, he applied the stick on
the neck of the monk, and said,[6.15] “What devil taught you to be a
homeless monk? What devil taught you to go round? Whether you can say
something, or whether you cannot say anything, all the same you are
to die under my fork: speak, speak, be quick!” Tokusan (Tê-shan) was
another master who flourished a stick to the same effect; for he used
to say[6.16]: “No matter what you say, or what you say not, just the
same thirty blows for you?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account