Essays in Zen Buddhism : $b First seriesSuzuki, Daisetz Teitaro
Religion
Essays in Zen Buddhism : $b First series
Suzuki, Daisetz Teitaro
Zen Buddhism
These are all expressive of the spirit of Zen, as far as its practical
side is concerned. Mystics are thus all practical men, they are far
from being visionaries whose souls are too absorbed in things unearthly
or of the other-world to be concerned with their daily life. The common
notion that mystics are dreamers and star-gazers ought to be
corrected, as it has no foundation in facts. Indeed, psychologically,
there is a most intimate and profound relationship between a practical
turn of mind and a certain type of mysticism; the relationship is not
merely conceptual or metaphysical. If mysticism is true, its truth must
be a practical one verifying itself in every act of ours, and, most
decidedly, not a logical one, to be true only in our dialectics. Sings
a Zen poet known as Hō-kōji:[f135][7.4]
“How wondrously supernatural,
And how miraculous, this!
I draw water, and I carry fuel!”[7.5]
II
The Meditation Hall[7.6] (Zendo in Japanese and Ch‘an T‘ang in
Chinese), as it is built in Japan, is generally a rectangular building
of various size according to the number of monks to be accommodated.
One at Engakuji,[f136] Kamakura, was about 36 feet by 65 feet. The
floors about eight feet wide and three feet high are raised along
the longer sides of the building, and an empty space is left in the
middle throughout the entire length of the Hall. This space is used for
practising an exercise known as “kinhin”[7.7] (_ching-hsing_) which
means literally “sutra-walking.” The space allotted to each monk on
the _tatami_ floor does not exceed one mat, three by six feet, where
he sits, meditates, and sleeps at night. The bedding for each is
never more than one large wadded quilt, summer or winter. He has no
regular pillow except that which is temporarily made up by himself out
of his own private possessions. These latter, however, are next
to nothing: for they are _kesa_ (_kashāya_ in Sanskrit) and _koromo_
(priestly robe), a few books, a razor, and a set of bowls, all of which
are put up in a box about three by ten by three and a half inches
large. In travelling this box is carried in front supported with a
sash about the neck. The entire property thus moves with the owner.
“One dress and one bowl, under a tree and on a stone,”[7.8] was the
graphical description of the monkish life in India. Compared with this,
the modern Zen monk must be said to be abundantly supplied. Still his
wants are reduced to a minimum and no one can fail to lead a simple,
perhaps the simplest, life if he models his after that of the Zen monk.
Public-domain text, read in full here on John Shaqi.
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