If the imagery of supernaturalism did not appeal to sober Chinese character, how did the Chinese followers of Enlightenment contrive to express themselves? Did they adopt the intellectual method of the Śūnyatā philosophy? No, this too was not after their taste, nor was it quite within the reach of their mental calibre. The _Prajñā-Pāramitā_ was an Indian creation and not the Chinese. They could have produced a Chwang-tzŭ or those Taoist dreamers of the Six Dynasties, but not a Nāgārjuna or a Śankāra. The Chinese genius was to demonstrate itself in some other way. When they began inwardly to assimilate Buddhism as the doctrine of Enlightenment, the only course that opened to their concrete practical minds was to produce Zen. When we come to Zen after seeing all the wonderful miracles displayed by the Indian Mahayana writers, and after the highly abstracted speculations of the Mādhyamika thinkers, what a change of scenery do we have here? No rays are issuing from the Buddha’s forehead, no retinues of Bodhisattvas reveal themselves before you, there is indeed nothing that would particularly strike your senses as odd or extraordinary, or as beyond intelligence, beyond the ken of logical reasoning. The people you associate with are all ordinary mortals like yourselves, no abstract ideas, no dialectical subtleties confront you. Mountains tower high towards the sky, rivers all pour into the ocean. Plants sprout in the spring and flowers bloom in red. When the moon shines serenely, poets grow mildly drunk and sing a song of eternal peace. How prosaic, how ordinary, we may say! but here was the Chinese soul, and Buddhism came to grow in it.