No one who has seen a pair of Egrets thus change places on the nest,
bodies bowed forward, plumes a cloudy fan of lace, absolute whiteness
of plumage relieved by gold of eye and lore and black of bill, and the
whole scene animated by the repeated, excited cry, can ever forget it.
But such unforgettable scenes are not confined to other countries. Here
in England you can see as good; I have seen them on the reservoirs of
Tring, and within full view of the road by Frensham Pond--the courtship
forms and dances of the Crested Grebe.
The Crested Grebe is happily becoming more familiar to bird-lovers
in England. Its brilliant white belly, protective grey-brown back,
rippleless and effortless diving, long neck, and splendid ruff and
ear-tufts of black, chestnut, and white, conspire to make it a marked
bird. In the winter the crest is small, and even when fully grown
in spring it is usually held close down against the head, so as to
be not at all conspicuous. When it is spread, it is almost, without
exception, in the service of courtship or love-making. Ten years ago I
spent my spring holiday watching these birds on the Tring reservoirs.
I soon found out that their courtship, like the Herons’, was mutual,
not one-sidedly masculine as in Peacocks or fowls. It consisted most
commonly in a little ceremony of head-shaking. The birds of a pair
come close, face one another, raise their necks, and half-spread
their ruffs. Then, with a little barking note, they shake their heads
rapidly, following this by a slow swinging of them from side to
side. This alternate shaking and swinging continues perhaps a dozen
or twenty times; and the birds then lower their standards, become
normal everyday creatures, and betake themselves to their fishing or
resting or preening again. This is the commonest bit of love-making;
but now and then the excitement evident even in these somewhat casual
ceremonies is raised to greater heights and seems to reinforce itself.
The little bouts of shaking are repeated again and again. I have seen
over eighty succeed each other uninterruptedly. And at the close the
birds do not relapse into ordinary life. Instead, they raise their
ruffs still further, making them almost Elizabethan in shape. Then one
bird dives; then the other: the seconds pass. At last, after perhaps
half or three-quarters of a minute (half a minute is a long time when
one is thus waiting for a bird’s reappearance!) one after the other
they emerge. Both hold masses of dark brownish-green weed, torn from
the bottom of the pond, in their beaks, and carry their heads down
and back on their shoulders, so that either can scarcely see anything
of the other confronting it save the concentric colours of the raised
ruff. In this position they swim together. It is interesting to see
the eager looks of the first-emerged, and its immediate start towards
the second when it too reappears. They approach, rapidly, until the
watcher wonders what will be done to avert a collision. The answer
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account