Essays of Robert Louis Stevenson: Selected and Edited With an Introduction and Notes by William Lyon PhelpsStevenson, Robert Louis
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Essays of Robert Louis Stevenson: Selected and Edited With an Introduction and Notes by William Lyon Phelps
Stevenson, Robert Louis
Essays
[Note 4: _Ruskin ... Pasticcio ... Bordello ... Morris ... Swinburne
... John Webster ... Congreve_. These names exhibit the astonishing
variety of Stevenson's youthful attempts, for they represent nearly
every possible style of composition. John Ruskin (1819-1900) exercised
a greater influence thirty years ago than he does to-day Stevenson in
the words "a passing spell," seems to apologise for having been
influenced by him at all.... Pasticcio, an Italian word, meaning
"pie": Swinburne uses it in the sense of "medley," which is about the
same as its significance here. _Sordello_: Stevenson naturally
accompanies this statement with a parenthetical exclamation.
_Sordello_, published in 1840, is the most obscure of all Browning's
poems, and for many years blinded critics to the poet's genius.
Innumerable are the witticisms aimed at this opaque work. See, for
example, W. Sharp's _Life of Browning_ ... William Morris (1834-96),
author of the _Earthly Paradise_ (1868-70): for his position and
influence in XIXth century literature see H.A. Beers, _History of
English Romanticism_, Vol. II.... Algernon Charles Swinburne, born
1837, generally regarded (1906) as England's foremost living poet, is
famous chiefly for the melodies of his verse. His influence seems to
be steadily declining and he is certainly not so much read as
formerly.... For John Webster and Congreve, see Notes 37 and 26 of
Chapter IV above.]
[Note 5: _City of Peebles in the style of the Book of Snobs._
Thackeray's _Book of Snobs_ was published in 1848. Peebles is the
county town of Peebles County in the South of Scotland.]
[Note 6: _My later plays_, etc. Stevenson's four plays were not
successful. They were all written in collaboration with W.E. Henley.
_Deacon Brodie_ was printed in 1880: _Admiral Guinea_ and _Beau
Austin_ in 1884: _Macaire_ in 1885. In 1892, the first three were
published in one volume, under the title _Three Plays_: In 1896 all
four appeared in a volume called _Four Plays_. At the time the essay
_A College Magazine_ was published, only one of these plays had been
acted, _Deacon Brodie_, to which Stevenson refers in our text. This
"came on the stage itself and was played by bodily actors" at Pullan's
_Theatre of Varieties_, Bradford, England, 28 December 1882, and in
March 1883 at Her Majesty's Theatre, Aberdeen, "when it was styled a
'New Scotch National Drama.'"--Prideaux, _Bibliography_, p. 10. It was
later produced at Prince's Theatre, London, 2 July 1884, and in
Montreal, 26 September 1887. _Beau Austin_ was played at the Haymarket
Theatre, London, 3 Nov. 1890. _Admiral Guinea_ was played at the
_Avenue Theatre_, on the afternoon of 29 Nov. 1897, and, like the
others, was not successful. _The Athenaeum_ for 4 Dec. 1897 contains
an interesting criticism of this drama.... _Semiramis_ was the
original plan of a "tragedy," which Stevenson afterwards rewrote as a
novel, _Prince Otto_, and published in 1885.]
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