Essays of Robert Louis Stevenson: Selected and Edited With an Introduction and Notes by William Lyon PhelpsStevenson, Robert Louis
General
Essays of Robert Louis Stevenson: Selected and Edited With an Introduction and Notes by William Lyon Phelps
Stevenson, Robert Louis
Essays
same night the boardings were covered with posters, "Burlesque of
_Othello_," and the contrast blazed up in my mind like a bonfire. An
unforgettable look it gave me into that kind man's soul. His
acquaintance was indeed a liberal and pious education.[44] All the
humanities were taught in that bare dining-room beside his gouty
footstool. He was a piece of good advice; he was himself the instance
that pointed and adorned his various talk. Nor could a young man have
found elsewhere a place so set apart from envy, fear, discontent, or
any of the passions that debase; a life so honest and composed; a soul
like an ancient violin, so subdued to harmony, responding to a touch
in music--as in that dining-room, with Mr. Hunter chatting at the
eleventh hour, under the shadow of eternity, fearless and gentle.
The second class of old people are not anecdotic; they are rather
hearers than talkers, listening to the young with an amused and
critical attention. To have this sort of intercourse to perfection, I
think we must go to old ladies. Women are better hearers than men, to
begin with; they learn, I fear in anguish, to bear with the tedious
and infantile vanity of the other sex; and we will take more from a
woman than even from the oldest man in the way of biting comment.
Biting comment is the chief part, whether for profit or amusement, in
this business. The old lady that I have in my eye is a very caustic
speaker, her tongue, after years of practice, in absolute command,
whether for silence or attack. If she chance to dislike you, you will
be tempted to curse the malignity of age. But if you chance to please
even slightly, you will be listened to with a particular laughing
grace of sympathy, and from time to time chastised, as if in play,
with a parasol as heavy as a pole-axe. It requires a singular art, as
well as the vantage-ground of age, to deal these stunning corrections
among the coxcombs of the young. The pill is disguised in sugar of
wit; it is administered as a compliment--if you had not pleased, you
would not have been censured; it is a personal affair--a hyphen, _a
trait d'union,_[45] between you and your censor; age's philandering,
for her pleasure and your good. Incontestably the young man feels very
much of a fool; but he must be a perfect Malvolio,[46] sick with
self-love, if he cannot take an open buffet and still smile. The
correction of silence is what kills; when you know you have
transgressed, and your friend says nothing and avoids your eye. If a
man were made of gutta-percha, his heart would quail at such a moment.
But when the word is out, the worst is over; and a fellow with any
good-humour at all may pass through a perfect hail of witty criticism,
every bare place on his soul hit to the quick with a shrewd missile,
and reappear, as if after a dive, tingling with a fine moral reaction,
and ready, with a shrinking readiness, one-third loath, for a
repetition of the discipline.
Public-domain text, read in full here on John Shaqi.
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