Essays; Stevenson, Robert Louis, 1850-1894 -- Travel
The forest—a strange thing for an Englishman—is very destitute of birds.
This is no country where every patch of wood among the meadows gibes up
an increase of song, and every valley wandered through by a streamlet
rings and reverberates from side to with a profusion of clear notes. And
this rarity of birds is not to be regretted on its own account only. For
the insects prosper in their absence, and become as one of the plagues of
Egypt. Ants swarm in the hot sand; mosquitos drone their nasal drone;
wherever the sun finds a hole in the roof of the forest, you see a myriad
transparent creatures coming and going in the shaft of light; and even
between-whiles, even where there is no incursion of sun-rays into the
dark arcade of the wood, you are conscious of a continual drift of
insects, an ebb and flow of infinitesimal living things between the
trees. Nor are insects the only evil creatures that haunt the forest.
For you may plump into a cave among the rocks, and find yourself face to
face with a wild boar, or see a crooked viper slither across the road.
Perhaps you may set yourself down in the bay between two spreading
beech-roots with a book on your lap, and be awakened all of a sudden by a
friend: ‘I say, just keep where you are, will you? You make the jolliest
motive.’ And you reply: ‘Well, I don’t mind, if I may smoke.’ And
thereafter the hours go idly by. Your friend at the easel labours
doggedly a little way off, in the wide shadow of the tree; and yet
farther, across a strait of glaring sunshine, you see another painter,
encamped in the shadow of another tree, and up to his waist in the fern.
You cannot watch your own effigy growing out of the white trunk, and the
trunk beginning to stand forth from the rest of the wood, and the whole
picture getting dappled over with the flecks of sun that slip through the
leaves overhead, and, as a wind goes by and sets the trees a-talking,
flicker hither and thither like butterflies of light. But you know it is
going forward; and, out of emulation with the painter, get ready your own
palette, and lay out the colour for a woodland scene in words.
Public-domain text, read in full here on John Shaqi.
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