Essays; Stevenson, Robert Louis, 1850-1894 -- Travel
‘_À table_, _Messieurs_!’ cries M. Siron, bearing through the court the
first tureen of soup. And immediately the company begins to settle down
about the long tables in the dining-room, framed all round with sketches
of all degrees of merit and demerit. There’s the big picture of the
huntsman winding a horn with a dead boar between his legs, and his
legs—well, his legs in stockings. And here is the little picture of a
raw mutton-chop, in which Such-a-one knocked a hole last summer with no
worse a missile than a plum from the dessert. And under all these works
of art so much eating goes forward, so much drinking, so much jabbering
in French and English, that it would do your heart good merely to peep
and listen at the door. One man is telling how they all went last year
to the fête at Fleury, and another how well so-and-so would sing of an
evening: and here are a third and fourth making plans for the whole
future of their lives; and there is a fifth imitating a conjurer and
making faces on his clenched fist, surely of all arts the most difficult
and admirable! A sixth has eaten his fill, lights a cigarette, and
resigns himself to digestion. A seventh has just dropped in, and calls
for soup. Number eight, meanwhile, has left the table, and is once more
trampling the poor piano under powerful and uncertain fingers.
Dinner over, people drop outside to smoke and chat. Perhaps we go along
to visit our friends at the other end of the village, where there is
always a good welcome and a good talk, and perhaps some pickled oysters
and white wine to close the evening. Or a dance is organised in the
dining-room, and the piano exhibits all its paces under manful jockeying,
to the light of three or four candles and a lamp or two, while the
waltzers move to and fro upon the wooden floor, and sober men, who are
not given to such light pleasures, get up on the table or the sideboard,
and sit there looking on approvingly over a pipe and a tumbler of wine.
Or sometimes—suppose my lady moon looks forth, and the court from out the
half-lit dining-room seems nearly as bright as by day, and the light
picks out the window-panes, and makes a clear shadow under every
vine-leaf on the wall—sometimes a picnic is proposed, and a basket made
ready, and a good procession formed in front of the hotel. The two
trumpeters in honour go before; and as we file down the long alley, and
up through devious footpaths among rocks and pine-trees, with every here
and there a dark passage of shadow, and every here and there a spacious
outlook over moonlit woods, these two precede us and sound many a jolly
flourish as they walk. We gather ferns and dry boughs into the cavern,
and soon a good blaze flutters the shadows of the old bandits’ haunt, and
shows shapely beards and comely faces and toilettes ranged about the
wall. The bowl is lit, and the punch is burnt and sent round in scalding
thimblefuls. So a good hour or two may pass with song and jest. And
Public-domain text, read in full here on John Shaqi.
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