On the half-dais, as I suppose the large semicircular step between the
main room and the dais should be called, we find, first, the monitress
for the week, who stands up while she recites; and secondly, the Virgin
herself, who is the only pupil allowed a seat so near to the august
presence of the Lady Principal. She is ostensibly doing a piece of
embroidery which is stretched on a cushion on her lap, but I should say
that she was chiefly interested in the nearest of four pretty little
Cupids, who are all trying to attract her attention, though they pay no
court to any other young lady. I have sometimes wondered whether the
obviously scandalised gesture of the Lady Principal might not be directed
at these Cupids, rather than at anything the monitress may have been
reading, for she would surely find them disquieting. Or she may be
saying, "Why, bless me! I do declare the Virgin has got another hamper,
and St. Anne's cakes are always so terribly rich!" Certainly the hamper
is there, close to the Virgin, and the Lady Principal's action may be
well directed at it, but it may have been sent to some other young lady,
and be put on the sub-dais for public exhibition. It looks as if it
might have come from Fortnum and Mason's, and I half expected to find a
label, addressing it to "The Virgin Mary, Temple College, Jerusalem," but
if ever there was one the mice have long since eaten it. The Virgin
herself does not seem to care much about it, but if she has a fault it is
that she is generally a little apathetic.
Whose the hamper was, however, is a point we shall never now certainly
determine, for the best fossil is worse than the worst living form. Why,
alas! was not Mr. Edison alive when this chapel was made? We might then
have had a daily phonographic recital of the conversation, and an
announcement might be put outside the chapels, telling us at what hours
the figures would speak.
On either of side the main room there are two annexes opening out from
it; these are reserved chiefly for the younger children, some of whom, I
think, are little boys. In the left-hand annex, behind the ladies who
are making a mitre, there is a child who has got a cake, and another has
some fruit--possibly given them by the Virgin--and a third child is
begging for some of it. The light failed so completely here that I was
not able to photograph any of these figures. It was a dull September
afternoon, and the clouds had settled thick round the chapel, which is
never very light, and is nearly 4000 feet above the sea. I waited till
such twilight as made it hopeless that more detail could be got--and a
queer ghostly place enough it was to wait in--but after giving the plate
an exposure of fifty minutes, I saw I could get no more, and desisted.
Public-domain text, read in full here on John Shaqi.
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