It is high time that somebody spoke out his mind about Mrs. Humphry
Ward. Her prodigious vogue is one of the most extraordinary literary
phenomena of our day. A roar of approval greets the publication of every
new novel from her active pen, and it is almost pathetic to contemplate
the reverent awe of her army of worshippers when they behold the solemn
announcement that she is "collecting material" for another masterpiece.
Even professional reviewers lose all sense of proportion when they
discuss her books, and their so-called criticisms sound like publishers'
advertisements. Sceptics are warned to remain silent, lest they become
unpleasantly conspicuous. When _Lady Rose's Daughter_ appeared, the
critic of a great metropolitan daily remarked that whoever did not
immediately recognise the work as a masterpiece thereby proclaimed
himself as a person incapable of judgement, taste, and appreciation.
This is a fair example of the attitude taken by thousands of her
readers, and it is this attitude, rather than the value of her work,
that we must, first of all, consider.
In the year 1905 an entirely respectable journal said of Mrs. Ward,
"There is no more interesting and important figure in the literary world
to-day." In comparing this superlative with the actual state of affairs,
we find that we were asked to believe that Mrs. Ward was a literary
personage not second in importance to Tolstoi, Ibsen, Björnson, Heyse,
Sudermann, Hauptmann, Anatole France, Jules Lemaître, Rostand,
Swinburne, Thomas Hardy, Meredith, Kipling, and Mark Twain. At about the
same time a work appeared intended as a text-book for the young, which
declared Mrs. Ward to be "the greatest living writer of fiction in
English literature," and misspelled her name--an excellent illustration
of carelessness in adjectives with inaccuracy in facts. Over and over
again we have heard the statement that the "mantle" of George Eliot has
fallen on Mrs. Ward. Is it really true that her stories are equal in
value to _Adam Bede_, _The Mill on the Floss_, and _Middlemarch_?
Public-domain text, read in full here on John Shaqi.
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