Contrary to a common supposition, _Lorna Doone_ was not his first story.
He launched two ventures before his masterpiece--_Clara Vaughan_ in
1864, and _Cradock Nowell_ in 1866. These won no applause, and have not
emerged from the congenial oblivion in which they speedily foundered.
After these false starts, the great book came out in 1869, with no blare
of publisher's trumpet, with scanty notice from the critics, and with no
notice of any kind from the public. In the preface to the twentieth
edition, and his various prefaces are well worth reading, the author
remarked:--
"What a lucky maid you are, my Lorna! When first you came from the
Western Moors nobody cared to look at you; the 'leaders of the
public taste' led none of it to make test of you. Having struggled
to the light of day, through obstruction and repulses, for a year
and a half you shivered in a cold corner, without a sun-ray. Your
native land disdained your voice, and America answered, 'No child
of mine'; knowing how small your value was, you were glad to get
your fare paid to any distant colony."
The _Saturday Review_ for 5 November, 1870, uttered a few patronising
words of praise. The book was called "a work of real excellence," but
the reviewer timidly added, "We do not pretend to rank it with the
acknowledged masterpieces of fiction." On the whole, there is good
ground for gratitude that the public was so slow to see the "real
excellence" of _Lorna_. A sudden blaze of popularity is sometimes so
fierce as to consume its cause. Let us spend a few moments in devout
meditation, while we recall the ashes of "the book of the year." The
gradual dawn of Lorna's fame has assured her of a long and fair day.
Public-domain text, read in full here on John Shaqi.
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