As for the characters, they impress us differently in different moods.
For all John Ridd's prodigious strength, marvellous escapes, and
astounding feats, his personality is so intensely human that he seems
real. His _soul_, at any rate, is genuine, and wholly natural; his
bodily activity--the extraction of Carver's biceps, the wrenching of
the branch from the tree, the hurling of the cannon through the
door--makes him a dim giant in a fairy story. When we think of the
qualities of his mind and heart, he comes quite close; when we think of
his physical prowess, he almost vanishes in the land of Fable. I
remember the comment of an undergraduate--"John Ridd is as remote as
Achilles; he is like a Greek myth."
The women are all well drawn and individualised--except the heroine. I
venture to say that no one has ever seen Lorna in his mind's eye. She is
like a plate that will not develop. A very pretty girl with an
affectionate disposition,--what more can be said? But so long as a Queen
has beauty and dignity, she does not need to be interesting; and Lorna
is the queen of this romance. John's mother and his two sisters are as
like and unlike as members of the same family ought to be; they are real
women. Ruth Huckaback and Gwenny Carfax are great additions to our
literary acquaintances; each would make an excellent heroine for a
realistic novel. They have the indescribable puzzling characteristics
that we call feminine; sudden caprices, flashes of unexpected jealousy,
deep loyal tenderness, unlimited capacity for self-sacrifice, and in the
last analysis, Mystery.
The humour of the story is spontaneous, and of great variety, running
from broad mirth to whimsical subtlety. The first concerted attack on
the Doones is comic opera burlesque; but the scenes of humour that
delight us most are those describing friendly relations with beast and
bird. The eye of the old drake, as he stared wildly from his precarious
position, and the delight of the ducks as they welcomed his rescue;
above all, Annie's care of the wild birds in the bitter cold.
"There was not a bird but knew her well, after one day of
comforting; and some would come to her hand, and sit, and shut one
eye, and look at her. Then she used to stroke their heads, and feel
their breasts, and talk to them; and not a bird of them all was
there but liked to have it done to him. And I do believe they would
eat from her hand things unnatural to them, lest she should be
grieved and hurt by not knowing what to do for them. One of them
was a noble bird, such as I had never seen before, of very fine
bright plumage, and larger than a missel-thrush. He was the hardest
of all to please; and yet he tried to do his best."
Public-domain text, read in full here on John Shaqi.
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