In the "Diary of Private lvanov," Garshin gave more pictures of the
hideous suffering of war, with a wonderful portrait of the commander
of the company, who is so harshly tyrannical that his men hate him,
and resolve to slay him in the battle. But he survives both open and
secret foes, and at the end of the conflict they find him lying
prostrate, his whole body shaken with sobs, and saying brokenly,
"Fifty-two! Fifty-two!" Fifty-two of his company had been killed, and
despite his cruelty to them, he had loved them all like children.
Garshin wrote other tales, among them a poetically beautiful story of
a tree, "Attalea Princeps," that reminds one somewhat of Bjornson. But
his chief significance is as a truthful witness to the meaningless
maiming and murder of war, and his attitude is precisely similar to
that of Andreev, and both follow Tolstoi.
Andreev's "Red Laugh" ought to be read in America as a contrast to our
numerous war stories, where war is pictured as a delightful and
exciting tournament. This book has not a single touch of patriotic
sentiment, not a suggestion of "Hurrah for our side!" The soldiers are
on the field because they were sent there, and the uninjured are too
utterly tired, too tormented with lack of sleep, too hungry and
thirsty to let out a single whoop. The first sight of the "Red Laugh"
reminds us of the picturesque story of Napoleon's soldier that
Browning has immortalised in the "Incident of the French Camp."
Tolstoi mentions the same event in "Sevastopol," and his version of it
would have pleased Owen Wister's Virginian more than Browning's. In
Andreev there is no graceful gesture, no French pose, no "smiling
joy"; but there is the nerve-shattering red laugh. The officer who
tells the story in the first half of the book narrates how a young
volunteer came up to him and saluted. The appearance of his face was
so tensely white that the officer enquires, "Are you afraid?" Suddenly
a stream of blood bursts from the young man's body, and his deadly
pale face turns into something unspeakable, a toothless laugh--the red
laugh.
Public-domain text, read in full here on John Shaqi.
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