The feeling of the marvellous pervades the book from beginning to end. The prose facts of life had but a remote and indistinct existence to the poet, and he blundered along miserably in his youth, supported and upheld by a dim but unquenchable aspiration. He commiserated himself, and yet felt that there was something great in store for him because of his exceptional endowment. Every incident in his career he treated as if it were a miracle, which required the suspension of the laws of the universe for its performance. God was a benevolent old man with a long beard (just as he was depicted in old Dr. Luther's Catechism) who sat up in the skies and spent his time chiefly in managing the affairs of Hans Christian Andersen as pleasantly as possible; and Hans Christian was duly grateful, and cried on every third or fourth page at the thought of the goodness of God and man. Sometimes, for a change, he cried at the wickedness of the latter, and marvelled, with the _naivete_ of a spoiled child, that there should be such dreadful people in the world, who should persist in misunderstanding and misrepresenting him. Those who were good to him he exalted and lauded to the skies, no matter how they conducted themselves toward the rest of humanity. Some of the most mediocre princes, who had paid him compliments, he embalmed in prose and verse. Frederick VII. of Denmark, whose immorality was notorious, was, according to Andersen, "a good, amiable king," "sent by God to Danish land and folk," than whom "no truer man the Danish language spoke." And this case was by no means exceptional. The same uncritical partiality toward the great and mighty is perceptible in every chapter of "The Fairy-Tale of My Life." It was not, however, toward the great and mighty alone that he assumed this attitude; he was uncritical by nature, and had too soft a heart to find fault with anybody--except those who did not like his books. Heine's jocose description of heaven as a place where he could eat cakes and sweets, and drink punch _ad libitum_, and where the angels sat around raving about his poetry, was probably not so very remote from Andersen's actual conception. His world was the child's world, in which there is but one grand division into good and bad, and the innumerable host that occupies the middle-ground between these poles is ignored. Those who praised what he wrote were good people; those who ridiculed him were a malignant and black-hearted lot whom he was very sorry for and would include in his prayers, in the hope that God might make them better.