Essays on Scandinavian LiteratureBoyesen, Hjalmar Hjorth
History
Essays on Scandinavian Literature
Boyesen, Hjalmar Hjorth
Authors, Scandinavian; Scandinavian literature -- History and criticism
I have no doubt it would have alarmed the gentle poet very much, if he
had been told that he belonged to the Romantic School. To be classified
in literature and be bracketed with a lot of men with whom you are not
even on speaking terms, and whom, more than likely, you don't admire,
would have seemed to him an unpleasant prospect. That he drew much of
his inspiration from the German Romanticists, notably Heine and
Hoffmann, he would perhaps have admitted; but he would have thought it
unkind of you to comment upon his indebtedness. In his first book, "A
Pedestrian Tour from Holmen Canal to the Eastern Extremity of Amager"
(1829), he assumed by turns the _blase_ mask of the former and the
fantastically eccentric one of the latter; both of which ill became his
good-natured, plebeian, Danish countenance. For all that, the book was a
success in its day; and no less an authority than the aesthetic Grand
Mogul, J. L. Heiberg, hailed it as a work of no mean merit. It strikes
us to-day as an exhibition of that mocking smartness of youth which
often hides a childish heart. It was because he was so excessively
sentimental and feared to betray his real physiognomy that he cut these
excruciating capers. His other alternative would have been mawkishness.
His vaudeville, "Love on the Nicholas Tower," which satirizes the drama
of chivalry, is in the same vein and made a similar hit. A volume of
"Poems" was also well received. But in 1831 he met with his first
literary reverse. A second collection of verses, entitled "Phantasies
and Sketches," was pitilessly ridiculed by Henrik Hertz, in his "Letters
from the Dead." Andersen's lack of style and violations of syntax were
rather maliciously commented upon. If Gabriel's trump had sounded from
the top of the Round Tower, it would not have startled Andersen more.
He was in despair. Like the great child he was, he went about craving
sympathy, and weeping when he failed to find it.
"I could say nothing," he writes in "the Fairy-Tale of My Life," "I
could only let the big, heavy waves roll over me; and it was the common
opinion that I was to be totally washed away. I felt deeply the wound of
the sharp knife; and was on the point of giving myself up, as I was
already given up by others."
Public-domain text, read in full here on John Shaqi.
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