"There came a terrible wail from the table-drawer where Hjalmar's school books lay. 'Whatever can that be?' said the Sandman. And he went to the table and opened the drawer. It was the slate which was in convulsions because a wrong number had got into the sum, so that it was fairly falling to pieces. The slate-pencil tugged and jumped at the end of its string, as if it had been a little dog that wanted to help the sum. But he could not. There was a great lamentation in Hjalmar's copy-book, too; it was quite terrible to hear. On each page the large letters stood in a row, one underneath the other, and each with a little one at its side. That was the copy. And next to these were a few more letters, which thought they looked just like the others. These were the ones Hjalmar had written. But they lay down as if they had tumbled pell-mell over the pencil lines upon which they were to stand. "'Look, this is the way you should hold yourselves,' said the copy, 'sloping this way with a bold swing.' 'Oh, we should be very glad to do that,' answered Hjalmar's letters, 'but we can't. We are so weakly.' 'Then you must take medicine,' said the Sandman. 'Oh, no, no,' cried they, and straightway they stood up so gracefully that it was a pleasure to look at them." This strikes me as having the very movement and all the delicious whimsicality of a school-boy's troubled dream. It has the delectable absurdity of the dream's inverted logic. You feel with what beautiful zest it was written; how childishly the author himself relished it. The illusion is therefore perfect. The big child who played with his puppet theatre until after he was grown up is quite visible in every line. He is as much absorbed in the story as any of his hearers. He is all in the game with the intense engrossment of a lad I knew, who, while playing Robinson Crusoe, ate snails with relish for oysters.