[222]J. S. Phillimore, _op. cit._, pp. 115-16. [223]F. A. Todd, _Some Ancient Novels_, London, 1940, p. 35. [224]G. Dalmeyda, _Longus, Pastorales (Daphnis et Chloé)_, Paris, 1934, pp. xxi-xxii. [225]Dalmeyda, _op. cit._, p. xxiv, “un des plus grands charmes de son roman est le cadre de nature, et l’intime union du décor et des personnages: dans ce sol plaisant et fertile, les deux héros semblent avoir leurs racines comme de jeunes plantes.” [226]I. 4-5. [227]I. 7. [228]II. 23. [229]III. 27. [230]IV. 34. [231]II. 39. [232]II. 4-7. [233]IV. 36. [234]IV. 37. [235]IV. 39. [236]IV. 3. [237]IV. 13. [238]IV. 26. [239]Dalmeyda, _op. cit._, pp. xxvii-xxxi. [240]III. 10. [241]I. 14. [242]IV. 27. [243]I. 18. [244]I. 25. [245]III. 6. [246]IV. 28. [247]II. 15-17. [248]IV. 3. [249]I. 4; II. 23. [250]II. 23-24; IV. 39. [251]I. 10 and 24. [252]I. 30. [253]III. 12. [254]II. 35-37. [255]IV. 15. [256]IV. 40. [257]III. 21. [258]Cp. II. 4 with Bion IV. [259]Cp. I. 18 with Moschus I. 27. [260]II. 33. See on the bucolic tradition, Dalmeyda, _op. cit._, p. xxiii with n. 4. [261]Calderini, _op. cit._, pp. 169-70. [262]Theoc. I. 45-56. [263]III. 21. [264]Theoc. VIII. 53-56. [265]Horace is the only other ancient writer who uses the name Chloe, C. I. 23; III. 7, 9, 26. [266]I. 17, with Courier’s excellent emendation of the ms. χλόης (for χλόας) to πόας, Sappho 2. [267]IV. 8, Sappho 94. [268]III. 33-34. Sappho 93. [269]J. M. Edmonds, _Daphnis and Chloe_ in _The Loeb Classical Library_, p. xi, n. 1. [270]Dalmeyda, _op. cit._, pp. xxxiv-v. [271]II. 7, Vergil _Ec._ I. 5. [272]J. M. Edmonds, _op. cit._, p. ix. [273]Calderini, _op. cit._, pp. 145-47. [274]Dalmeyda, _op. cit._, pp. xxxviii-xlii. [275]I. 13. [276]I. 16. [277]II. 2. [278]III. 20. [279]I. 13. [280]II. 1-2. [281]III. 3. [282]IV. 37-39. [283]II. 32. [284]II. 3-6. [285]I. 27. [286]II. 34. [287]II. 2. [288]S. L. Wolff, _op. cit._, p. 162. [289]F. A. Todd, _op. cit._, p. 64. [290]Paul-Louis Courier, _Les Pastorales de Longus ou Daphnis et Chloé_, traduction de Messire Jacques Amyot revue, corrigée, complétée et de nouveau refaite in grande partie, Paris, 1925, _Preface_, p. xxii. See also _Bibliographie_. [291]Suidas, as quoted in the _Enc. Brit._ XIV. Vol. 14, p. 460. [292]Maurice Croiset, _Essai sur la vie et les œuvres de Lucien_, Paris, 1882. [293]Basil L. Gildersleeve, _Essays and Studies_, Baltimore, 1890. [294]For a concise tabular classification of Lucian’s works, based on Croiset’s arrangement, see H. W. Fowler and F. G. Fowler, _The Works of Lucian of Samosata_, 4 vols. Oxford, 1905, I, xiv-xviii. To be specially noted are the influences in definite periods of the rhetoricians, of philosophy, of New Comedy, of Menippus, of Old Comedy. [295]Translated by A. M. Harmon, in _Lucian_, in _The Loeb Classical Library_, III, 223, 225.