Essays on the Greek RomancesHaight, Elizabeth Hazelton
History
Essays on the Greek Romances
Haight, Elizabeth Hazelton
Apuleius. Metamorphoses; Greek fiction -- History and criticism
Although we cannot date the _Aethiopica_ more exactly than somewhere in
the third century (probably in the first half), the romance reflects in
general the life of the times in which Heliodorus lived. The east daubs
its brilliant colors upon the story as the power of oriental rulers
impinges on the life of the Greeks. The absolutism of the Great King of
Persia is the model for minor courts of viceroys and their queens who
demand of their subjects and captives the obeisance that they must
render to their Super-Ruler. Military officers and eunuchs are the
descending steps in this hierarchy of tyranny.
Adventures center in war and travel. Cities and tribes revolt. Heroes
must display military virtues. Merchants, priests and women travel
widely, braving the dangers of storms at sea and of attacks by pirates.
Women have found a new freedom and are leaders in courage and endurance
as the story of Chariclea shows. Women take part in banquets and
religious ceremonies as well as in adventures. Romantic friendship
between men and admiration of young men’s beauty are a counterpart of
the famous relation between Hadrian and Antinous. Slaves and captives
may become court favorites or be subjected to indignities, imprisonment,
torture.
The times are characterized too by an eager search for the new, the
unfamiliar, by scientific curiosity, by an interest in art. So
descriptions of strange countries and peoples, accounts of strange
adventures and sights are part of the novelist’s stock in trade. He
describes vividly the island city in the Nile’s delta, its water-ways
through the reeds, its cave refuge with its secret entrance; or he gives
a technical account of the engineering processes by which a city is
besieged by threat of inundation; or he pictures such a curiosity in the
animal world as a giraffe. Works of art are featured with admiring care:
Theagenes’ embroidered robe and its clasp, Chariclea’s robe and its
girdle, the amethyst ring with its carved scene, the painting of Perseus
and Andromeda, nude, shining, chained to the rock.
And part of the picture of the times centers in man’s quest for new
values for life itself. Ethical standards for conduct are weighed and
emphasized in contrasts between Greeks and barbarians. Aspiration
towards the higher life is portrayed in the worship of the gods and its
ceremonials and in the philosophical discussions in which the priests
take part. The Gymnosophists and Calasiris share a large humanity.
Public-domain text, read in full here on John Shaqi.
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