The seven Ionian Islands naturally fall into three divisions. Kythera (or Cerigo) in the far South; the centred group, consisting of Zante, Cephalonia, Ithake, and Levkas (or Santa Maura); and Corfù and Paxo in the North. Of these divisions, the first fell to the share of a scion of the great Venetian family of Venier—a family which traced its name and descent from Venus, and naturally claimed the island, where she had risen from the sea. Zante, Cephalonia and Ithake had a very curious history—a history long obscure, but now well ascertained. They belonged to Count Maio (or Matteo) Orsini, a member of the great Roman family, who came, as the Spanish Chronicle of the Morea informs us, from Monopoli in Apulia. This bold adventurer, half-pirate, half-crusader,—a not unusual combination in those days—thus succeeded to the realm of Odysseus, which was thenceforth known, from his title, as the County Palatine of Cephalonia. Corfù with its appendage of Paxo, was at first assigned to ten nobles of the Republic in return for an annual payment. But, ere long, those two islands, together with Levkas, which is scarcely an island at all, were included in the dominions of a Greek prince, the bastard Michael Angelos, who had slipped away from the camp of Boniface, and had established himself, by an opportune marriage with the widow of the late Byzantine governor, as independent Greek sovereign of Epeiros. His wife was a native of the country; his father had been its governor; he thus appealed to the national feelings of the natives, whose mountainous country has in all ages defied the attacks of invading armies. A man of great vigour, he soon extended his sway from his capital of Arta to Durazzo in the North, and to the Corinthian Gulf in the South, and his dominions, known as the principality, or Despotat of Epeiros, served as the rallying point of Hellenism—the only portion of Greece, except Monemvasia, which still remained Greek. I would fain have said something of the inner life of Frankish Greece—of its society, of its literature, and of the great influence which women exercised in its affairs. But for these subjects there is no time left. I would only add, in conclusion, that the Frankish conquest of Greece affords the clue to one of the vexed problems of modern literature—the second part of Goethe’s _Faust_, which an American scholar, Dr Schmitt, has shown to have been inspired by the account given in the _Chronicle of the Morea_, a work which was first printed by Buchon in 1825, at the time when Goethe was engaged on that part of his famous tragedy. Its origin is obvious from the following lines, which he puts into the mouth of his hero: