From the first beginnings of written history the state has increased or diminished its powers, but it has never disappeared, because ever since there have been, in the society of men unequal in consequence of economic differentiation, reasons for maintaining and for defending, through force or conquest, slavery, monopolies, or the predominance of one form of production, with the domination of man over man. The state has become, as it were, the field of an endless civil war, which is developing always, even if it does not always show itself under the startling form of Marius and Sylla, days of June and wars of Secession. Within the state, the corruption of man by man has always flourished, because, if there is no form of domination which does not meet resistance, there are no forms of resistance which, in consequence of the pressing needs of life, may not degenerate into a passive compact. For these reasons, historic events, seen on the surface of the ordinary monotonous narrative, appear like the repetition of the same type, with few variations, like a series of kaleidoscopic pictures. We need not be astonished if the idealistic Herbart and the caustic or pessimistic Schopenhauer arrived at this conclusion, that there is no history, in the sense of any actual _processus_, which is to say in common language; history is a tiresome song. When political history is once reduced to its quintessence, the state remains illuminated in all its prose. Thenceforth there is no more trace either of theological divination, nor of metaphysical transubstantiation, so much in vogue among certain German philosophers,--for whom the state is the Idea, the State Idea which is realized in history, the state is the full realization of the personality, and other stupidities of the same sort. The state is a real organization of defense to guarantee and perpetuate a mode of association, the foundation of which is a form of economic production, or a compact and a transaction between forms. To sum up, the state assumes, either a system of property, or a compact between several systems of property. There is the foundation of all its art, the exercise of which demands that the state itself became an economic power, and that it also dispose of means and processes to make property pass from the hands of some into the hands of others. When, by the effect of an acute and violent change of the forms of production, it is necessary to resort to an unusual and extraordinary readjustment of the relations of property (for example, the abolition of mortmain and fiefs, the abolition of commercial monopolies), then the old political form is insufficient and revolution is necessary to create a new organ which may operate the new economic transformation.