After all, this is all reduced to a more general formula; man does not make several histories at the same time, but all these alleged different histories (art, religion, etc.) make up one alone. And it is not possible to take account of that clearly except at the characteristic and significant moment of the production of new things, that is to say in the periods which I will call revolutionary. Later, the acceptance of the things that have been produced, and the traditional repetition of a definite type, obliterated the sense of the origins of things. Try, if you will, to detach the ideology of the _fables_ which are at the foundation of the Homeric poems, from that moment of historic evolution where we find the dawn of Aryan civilization in the basin of the Mediterranean, that is to say, from that phase of the higher barbarism in which arises, in Greece and elsewhere, the epic. Or try to imagine the birth and the development of Christianity elsewhere than in Roman cosmopolitanism, and otherwise than by the work of those proletarians, those slaves, those unfortunates, those desperate ones, who had need of the redemption of the Apocalypse and of the promise of the Kingdom of God. Find, if you will, the ground for supposing that in the beautiful environment of the Renaissance the romanticism should begin to appear, which scarcely appeared in the decadent Torquato Tasso; or that one might attribute to Richardson or to Diderot the novels of Balzac, in whom appears, as a contemporary of the first generation of socialism and sociology, the _psychology of classes_. Far back, farther, farther, at the first origins of the mythical conceptions, it is evident that Zeus did not assume the characters of father of gods and men until the power of the _patria potestas_ was already established, and that series of _processus_ began which culminated in the State. Zeus thus ceases to be what was at first the simple _divus_ (brilliant) or the Thunderer. And it is to be observed that at an opposite point of historic evolution, a great number of thinkers of the past century reduced to a single abstract God, who is a simple regent of the world, all that variegated image of the unknown and transcendental type, developed in so great a wealth of mythological, Christian or pagan creations. Man felt himself more at home in nature, thanks to experience, but felt himself better able to penetrate the gearing of society, the knowledge of which he possessed in part. The miraculous dissolved in his mind, to the point where materialism and criticism could afterwards eliminate that poor remnant of transcendentalism, without taking up war against the gods.