consciousness, that occasionally occur in members of his tribe. One who has fainted, and cannot be immediately brought back to himself (note the significance of our own phrases "returning to himself," etc.) as a sleeper can, shows him a state in which the other self has been away for a time beyond recall. Still more is this prolonged absence of the other self shown him in cases of apoplexy, catalepsy, and other forms of suspended animation. Here for hours the other self persists in remaining away, and on returning refuses to say where he has been. Further verification is afforded by every epileptic subject, into whose body, during the absence of the other self, some enemy has entered; for how else does it happen that the other self, on returning, denies all knowledge of what his body has been doing? And this supposition that the body has been "possessed" by some other being, is confirmed by the phenomena of somnambulism and insanity. 6. What, then, is the interpretation inevitably put upon death? The other self has habitually returned after sleep, which simulates death. It has returned, too, after fainting, which simulates death much more. It has even returned after the rigid state of catalepsy, which simulates death very greatly. Will it not return also after this still more prolonged quiescence and rigidity? Clearly it is quite possible--quite probable even. The dead man's other self is gone away for a long time, but it still exists somewhere, far or near, and may at any moment come back to do all he said he would do. Hence the various burial-rites--the placing of weapons and valuables along with the body, the daily bringing of food to it, etc. I hope hereafter to show that, with such knowledge of the facts as he has, this interpretation is the most reasonable the savage can arrive at. Let me here, however, by way of showing how clearly the facts bear out this view, give one illustration out of many. "The ceremonies with which they [the Veddahs] invoke them [the shades of the dead] are few as they are simple. The most common is the following. An arrow is fixed upright in the ground, and the Veddah dances slowly round it, chanting this invocation, which is almost musical in its rhythm:" "Mâ miya, mâ miy, mâ deyâ, Topang koyihetti mittigan yandâh?" "My departed one, my departed one, my God! Where art thou wandering?"