Essays: Scientific, Political, & Speculative; Vol. 2 of 3: Library Edition (1891), Containing Seven Essays not before Republished, and Various other Additions.Spencer, Herbert
Philosophy
Essays: Scientific, Political, & Speculative; Vol. 2 of 3: Library Edition (1891), Containing Seven Essays not before Republished, and Various other Additions.
Spencer, Herbert
Philosophy; Political science; Science
I continued to hold this amended doctrine for some years. It is true
that from time to time I observed that the tone of the neutral tint
varied considerably in different shadows; but still the divergencies
were not such as to shake my faith in the dogma. By-and-bye, however,
in a popular work on Optics, I met with the statement that the colour
of a shadow is always the complement of the colour of the light casting
it. Not seeing the wherefore of this alleged law, which seemed moreover
to conflict with my established belief, I was led to study the matter
as a question of causation. _Why_ are shadows coloured? and what
determines the colour? were the queries that suggested themselves. In
seeking answers, it soon became manifest {166} that as a space in
shadow is a space from which the _direct_ light alone is excluded, and
into which the _indirect_ light (namely, that reflected by surrounding
objects, by the clouds and by the sky) continues to fall, the colour
of a shadow must partake of the colour of everything that can either
radiate or reflect light into it. Hence, the colour of a shadow must
be _the average colour of the diffused light;_ and must vary, as that
varies, with the colours of all surrounding things. Thus was at once
explained the inconstancy I had already noticed; and I presently
recognized in Nature that which the theory implies—namely, that a
shadow may have any colour whatever, according to circumstances. Under
a clear sky, and with no trees, hedges, houses, or other objects at
hand, shadows are of a pure blue. During a red sunset, mixture of the
yellow light from the upper part of the western sky with the blue light
from the eastern sky, produces green shadows. Go near to a gas-lamp on
a moonlight night, and a pencil-case placed at right angles to a piece
of paper will be found to cast a purple-blue shadow and a yellow-grey
shadow, produced by the gas and the moon respectively. And there are
conditions it would take too long here to describe, under which two
parts of the same shadow are differently coloured. All which facts
became obvious to me as soon as I knew that they must exist.
Here, then, respecting certain simple phenomena that are hourly
visible, are three successive convictions; each of them based on years
of observation; each of them held with unhesitating confidence; and
yet only one—as I now believe—true. But for the help of an hypothesis,
I should probably have remained in the common belief that shadows are
black. And but for the help of another hypothesis, I should probably
have remained in the half-true belief that they are neutral tint.
Public-domain text, read in full here on John Shaqi.
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