Essays: Scientific, Political, & Speculative; Vol. 3 of 3: Library Edition (1891), Containing Seven Essays not before Republished, and Various other Additions.Spencer, Herbert
Philosophy
Essays: Scientific, Political, & Speculative; Vol. 3 of 3: Library Edition (1891), Containing Seven Essays not before Republished, and Various other Additions.
Spencer, Herbert
Philosophy; Political science; Science
his purpose to take part payment in shares likely to return some £2
per cent., unless he compensated himself by unusually high profits;
and this subsequent settlement of prices with one whose interests,
like his own, are wrapped up in the prosecution of the undertaking,
ensures him high profits. Meanwhile, it is noised abroad that all the
capital has been subscribed and the line contracted for; these facts
unduly raise the public estimate of the scheme; the shares are quoted
at much above their true worth; unwary persons buy; the contractor
from time to time parts with his moiety at fair prices; and the new
shareholders ultimately find themselves part owners of a railway which,
unprofitable as it originally promised to be, had been made yet more
unprofitable by expensiveness of construction. Nor are these the only
cases in which contractors gain after this fashion. They do the like
with lines of their own projecting. To obtain Acts for these, they
sign the subscription-contracts for large amounts; knowing that in the
way above described, they can always make it answer to do this. So
general had the practice latterly become, as to attract the attention
of committees. As was remarked by a personage noted for his complicity
in these transactions—“Committees are getting too knowing; they won’t
stand that dodge now.” Nevertheless, the thing is still done under a
disguised form. Though contractors no longer enter their own names on
subscription lists for thousands of shares; yet they effect the same
end by making nominal holders of their foremen and others: themselves
being the real ones.
Public-domain text, read in full here on John Shaqi.
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